Fender Mustang LT25 settings
You Should Probably Leave settings for Fender Mustang LT25
Chris Stapleton · adapted 3 times on ToneAdapt
To get the Chris Stapleton "You Should Probably Leave" riff tone on a Fender Mustang LT25, select the FENDER CLEAN preset, then set Gain 1.5, Bass 5, Treble 5, Reverb 1.5. Use the neck pickup with your guitar's tone on 7 and volume on 7-8.
Riff settings
Adapted for a Squier Classic Vibe '50s Stratocaster · updated 2026-06-03
- Preset / mode
- FENDER CLEAN
- Pickup
- Neck pickup
- Guitar knobs
- Tone 7 · Volume 7-8
Fender Mustang LT25 knobs
- Gain
- 1.5
- Bass
- 5
- Treble
- 5
- Reverb
- 1.5
Built-in effects
- Reverb on (spring) · 4.5
Playing tips
- Use your amp's built-in reverb set to a moderate level to recreate the spacious feel of the original tone.
- Play with a light touch to emphasize the dynamic and touch-sensitive phrasing.
- Focus on smooth, flowing notes to capture the warm, bluesy essence of the riff.
Solo settings
Adapted for a Fender Stratocaster · updated 2026-08-24
- Preset / mode
- BLUES LEAD
- Pickup
- Neck pickup
- Guitar knobs
- Tone 7-8 · Volume 8-9
Fender Mustang LT25 knobs
- Gain
- 5
- Bass
- 5
- Treble
- 6
- Reverb
- 1.5
Built-in effects
- Reverb on (spring) · 5.5
Playing tips
- Use your amp's built-in reverb set to a moderate level to recreate the spacious feel of the original tone.
- Focus on touch-sensitive dynamics; play lightly for cleaner notes and harder for more sustain.
- Experiment with your pick attack to achieve clear note separation and dynamic response.
The original rig
What Chris Stapleton used on the recording, for reference. ToneAdapt translates this to the controls your Fender Mustang LT25 actually has.
- Guitar
- Fender Jazzmaster (likely American Vintage or Custom Shop, sunburst, as seen in live performances and consistent with Stapleton's studio use for this era)
- Amp
- Fender Princeton Reverb (likely 1960s blackface or modern reissue, as confirmed by Stapleton's producer Vance Powell and multiple interviews for this album era)
- Gain
- 3.5
- Bass
- 5.5
- Mid
- 6
- Treble
- 7
- Presence
- 5.5
- Reverb
- 3.5
Different guitar or pedals? Get You Should Probably Leave adapted to your exact rig
These settings were generated for the gear named above. ToneAdapt adapts Chris Stapleton's tone to your own guitar, pickups, amp and pedals in seconds.
Frequently asked questions
What preset should I use on the Fender Mustang LT25 for You Should Probably Leave?
Start from the FENDER CLEAN preset, then set Gain 1.5, Bass 5, Treble 5, Reverb 1.5.
Which pickup should I use for You Should Probably Leave?
Neck pickup, with the guitar's tone at 7 and volume at 7-8.
What gear did Chris Stapleton use on You Should Probably Leave?
Guitar: Fender Jazzmaster (likely American Vintage or Custom Shop, sunburst, as seen in live performances and consistent with Stapleton's studio use for this era). Amp: Fender Princeton Reverb (likely 1960s blackface or modern reissue, as confirmed by Stapleton's producer Vance Powell and multiple interviews for this album era).
Will these settings work with my guitar?
These settings were adapted for a Squier Classic Vibe '50s Stratocaster. Different pickups change how much gain and treble you need. ToneAdapt adapts the tone to your exact guitar, pickups, amp and pedals.
You Should Probably Leave on other amps
More Chris Stapleton on the Fender Mustang LT25
All Chris Stapleton tones →Popular songs on the Fender Mustang LT25
- Master of Puppets · Metallica
- Walk · Pantera
- Sweet Child O' Mine · Guns N' Roses
- Hotel California · Eagles
- Enter Sandman · Metallica
- Smells Like Teen Spirit · Nirvana
- Holy Wars · Megadeth
- Raining Blood · Slayer
- Crazy Train · Ozzy Osbourne
- Whole Lotta Love · Led Zeppelin
- Back in Black · AC/DC
- Stairway to Heaven · Led Zeppelin
Settings are generated by ToneAdapt's tone adaptation for the gear named on this page and are a starting point — every amp, guitar and room is a little different.