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Laney LX10 settings

Take Me Out settings for Laney LX10

Franz Ferdinand · adapted 2 times on ToneAdapt

To get the Franz Ferdinand "Take Me Out" riff tone on a Laney LX10, set Gain 5, Bass 4, Treble 7, Drive switch 0. Use the bridge + middle pickup with your guitar's tone on 7-8 and volume on 8-9.

Riff settings

Adapted for a Squier Stratocaster · updated 2026-11-09

Pickup
Bridge + Middle
Guitar knobs
Tone 7-8 · Volume 8-9

Laney LX10 knobs

Gain
5
Bass
4
Treble
7
Drive switch
0

Built-in effects

  • Reverb off

Playing tips

  • Focus on a percussive attack to emphasize the angular riffs.
  • Use palm muting selectively to create dynamic contrast.
  • Experiment with fingerstyle for added articulation.

The original rig

What Franz Ferdinand used on the recording, for reference. ToneAdapt translates this to the controls your Laney LX10 actually has.

Guitar
Fender Classic Series '72 Telecaster Deluxe
Amp
Fender Hot Rod Deluxe
Gain
5
Bass
5
Mid
6
Treble
7
Presence
6
Reverb
1.5
Full Take Me Out tone breakdown, effects and sources →

Different guitar or pedals? Get Take Me Out adapted to your exact rig

These settings were generated for the gear named above. ToneAdapt adapts Franz Ferdinand's tone to your own guitar, pickups, amp and pedals in seconds.

Frequently asked questions

What are the best Laney LX10 settings for Take Me Out?

Set Gain 5, Bass 4, Treble 7, Drive switch 0.

Which pickup should I use for Take Me Out?

Bridge + Middle, with the guitar's tone at 7-8 and volume at 8-9.

What gear did Franz Ferdinand use on Take Me Out?

Guitar: Fender Classic Series '72 Telecaster Deluxe. Amp: Fender Hot Rod Deluxe.

Will these settings work with my guitar?

These settings were adapted for a Squier Stratocaster. Different pickups change how much gain and treble you need. ToneAdapt adapts the tone to your exact guitar, pickups, amp and pedals.

Popular songs on the Laney LX10

All 17 songs for the Laney LX10 →

Settings are generated by ToneAdapt's tone adaptation for the gear named on this page and are a starting point — every amp, guitar and room is a little different.