Line 6 POD Go / POD Go Wireless settings
Fight The Good Fight settings for Line 6 POD Go / POD Go Wireless
Triumph · adapted 2 times on ToneAdapt
To get the Triumph "Fight The Good Fight" solo tone on a Line 6 POD Go / POD Go Wireless, use the Brit 2203 (Marshall JCM800) amp model on the lead channel, then set Gain 5, Bass 5, Mid 5, Treble 5. Use the neck pickup with your guitar's tone on 7-8 and volume on 8-9.
Solo settings
Adapted for a Gibson Les Paul · updated 2026-09-03
- Amp model
- Brit 2203 (Marshall JCM800)
- Channel
- Lead
- Cab
- 4x12 Closed Back
- Pickup
- Neck pickup
- Guitar knobs
- Tone 7-8 · Volume 8-9
Line 6 POD Go / POD Go Wireless knobs
- Gain
- 5
- Bass
- 5
- Mid
- 5
- Treble
- 5
Amp block
- Drive
- 7
- Master
- 7
- Bass
- 6
- Mid
- 7
- Treble
- 7
- Presence
- 6
Effects chain
- 1overdriveScream 808Gain 4 · Tone 6 · Level 7
- 2reverbDouble TankMix 3 · Decay 4
- 3compressionDeluxe CompLevel 6 · Sustain 5
- 4noise gateNoise GateRelease 5 · Threshold 4
Playing tips
- Focus on smooth, sustained notes to capture the singing quality of the original solo.
- Use a light touch on the strings for clear articulation and note separation.
- Incorporate slight bends and vibrato to enhance expressiveness in your playing.
Riff settings
Adapted for a Gibson Les Paul · updated 2026-09-03
- Amp model
- Brit 2204 (JCM800 50W)
- Channel
- Clean
- Cab
- 4x12 closed back
- Pickup
- Neck pickup
- Guitar knobs
- Tone 6-7 · Volume 7-8
Line 6 POD Go / POD Go Wireless knobs
- Gain
- 1.5
- Bass
- 5
- Mid
- 5
- Treble
- 5
Amp block
- Drive
- 5
- Master
- 7
- Bass
- 6
- Mid
- 6.5
- Treble
- 7
- Presence
- 6
Effects chain
- 1overdriveScream 808Gain 2 · Tone 5 · Level 7
- 2reverbDouble TankMix 3 · Decay 4
Playing tips
- Use a light touch for articulate picking to enhance note separation.
- Focus on dynamics to achieve chiming, bell-like tones.
- Experiment with fingerstyle for a warmer, more nuanced sound.
The original rig
What Triumph used on the recording, for reference. ToneAdapt translates this to the controls your Line 6 POD Go / POD Go Wireless actually has.
- Guitar
- Gibson ES-335 (likely 1970s-early 1980s, sunburst or cherry finish, semi-hollow, used by Rik Emmett on studio recordings of this era)
- Amp
- Marshall JMP 50-watt head (model 2204, late 1970s/early 1980s, classic Marshall clean/crunch platform)
- Gain
- 0
- Bass
- 6
- Mid
- 6.5
- Treble
- 7
- Presence
- 6
- Reverb
- 3
Different guitar or pedals? Get Fight The Good Fight adapted to your exact rig
These settings were generated for the gear named above. ToneAdapt adapts Triumph's tone to your own guitar, pickups, amp and pedals in seconds.
Frequently asked questions
What amp model should I use on the Line 6 POD Go / POD Go Wireless for Fight The Good Fight?
Use the Brit 2203 (Marshall JCM800) (lead channel) with Drive 7, Master 7, Bass 6, Mid 7, Treble 7, Presence 6, followed by Scream 808, Double Tank, Deluxe Comp, Noise Gate.
Which pickup should I use for Fight The Good Fight?
Neck pickup, with the guitar's tone at 7-8 and volume at 8-9.
What gear did Triumph use on Fight The Good Fight?
Guitar: Gibson ES-335 (likely 1970s-early 1980s, sunburst or cherry finish, semi-hollow, used by Rik Emmett on studio recordings of this era). Amp: Marshall JMP 50-watt head (model 2204, late 1970s/early 1980s, classic Marshall clean/crunch platform).
Will these settings work with my guitar?
These settings were adapted for a Gibson Les Paul. Different pickups change how much gain and treble you need. ToneAdapt adapts the tone to your exact guitar, pickups, amp and pedals.
Fight The Good Fight on other amps
Popular songs on the Line 6 POD Go / POD Go Wireless
- Sweet Child O' Mine · Guns N' Roses
- Master of Puppets · Metallica
- Walk · Pantera
- Enter Sandman · Metallica
- Back in Black · AC/DC
- Welcome to the Jungle · Guns N' Roses
- Holy Wars · Megadeth
- Pride and Joy · Stevie Ray Vaughan
- Crazy Train · Ozzy Osbourne
- Highway to Hell · AC/DC
- Whole Lotta Love · Led Zeppelin
- Stairway to Heaven · Led Zeppelin
Settings are generated by ToneAdapt's tone adaptation for the gear named on this page and are a starting point — every amp, guitar and room is a little different.