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Marshall JCM800 settings

The Thrill is Gone settings for Marshall JCM800

B.B. King · adapted 4 times on ToneAdapt

To get the B.B. King "The Thrill is Gone" solo tone on a Marshall JCM800, set Gain 1.5, Bass 5, Mid 6.5, Treble 6, Presence 4. Use the neck pickup with your guitar's tone on 10 and volume on 10.

Solo settings

Adapted for a Epiphone Sheraton II · updated 2026-08-29

Pickup
Neck pickup
Guitar knobs
Tone 10 · Volume 10

Marshall JCM800 knobs

Gain
1.5
Bass
5
Mid
6.5
Treble
6
Presence
4

Built-in effects

  • Reverb off

Playing tips

  • Use a heavy pick for a quick, percussive attack.
  • Focus on clean phrasing to achieve a singing sustain.
  • Experiment with your attack strength to control dynamics.

The original rig

What B.B. King used on the recording, for reference. ToneAdapt translates this to the controls your Marshall JCM800 actually has.

Guitar
mid-1960s Gibson ES-355TD-SV
Amp
Gibson Lab Series L-5 solid state combo
Gain
0
Bass
6.5
Mid
6.5
Treble
6
Presence
5
Reverb
3
Full The Thrill is Gone tone breakdown, effects and sources →

Different guitar or pedals? Get The Thrill is Gone adapted to your exact rig

These settings were generated for the gear named above. ToneAdapt adapts B.B. King's tone to your own guitar, pickups, amp and pedals in seconds.

Frequently asked questions

What are the best Marshall JCM800 settings for The Thrill is Gone?

Set Gain 1.5, Bass 5, Mid 6.5, Treble 6, Presence 4.

Which pickup should I use for The Thrill is Gone?

Neck pickup, with the guitar's tone at 10 and volume at 10.

What gear did B.B. King use on The Thrill is Gone?

Guitar: mid-1960s Gibson ES-355TD-SV. Amp: Gibson Lab Series L-5 solid state combo.

Will these settings work with my guitar?

These settings were adapted for a Epiphone Sheraton II. Different pickups change how much gain and treble you need. ToneAdapt adapts the tone to your exact guitar, pickups, amp and pedals.

Popular songs on the Marshall JCM800

All 57 songs for the Marshall JCM800 →

Settings are generated by ToneAdapt's tone adaptation for the gear named on this page and are a starting point — every amp, guitar and room is a little different.