Neural DSP Quad Cortex settings
No One Like The Lord (Live) settings for Neural DSP Quad Cortex
Bethel Music & Jenn Johnson · adapted 2 times on ToneAdapt
To get the Bethel Music & Jenn Johnson "No One Like The Lord (Live)" riff tone on a Neural DSP Quad Cortex, use the US DLX 65 Reissue (Fender Deluxe Reverb '65 Reissue) amp model on the clean channel, then set Drive 2, Master 7, Bass 6, Mid 6, Treble 6.5, Presence 6. Use the neck + middle pickup with your guitar's tone on 7-8 and volume on 8-9.
Riff settings
updated 2026-10-29
- Amp model
- US DLX 65 Reissue (Fender Deluxe Reverb '65 Reissue)
- Channel
- Clean
- Cab
- 1x12 open back
- Pickup
- Neck + Middle
- Guitar knobs
- Tone 7-8 · Volume 8-9
Amp block
- Drive
- 2
- Master
- 7
- Bass
- 6
- Mid
- 6
- Treble
- 6.5
- Presence
- 6
Effects chain
- 1delayDigital DelayMix 5 · Feedback 5
- 2reverbSpring Reverb Engine (M)Mix 5 · Decay 5
- 3modulationDream Chorus (TC Electronic Dreamscape)Mix 5 · Rate 3 · Depth 5
Playing tips
- Use a soft attack to maintain the ambient quality of the riff.
- Incorporate gentle fingerstyle techniques to enhance note articulation.
- Experiment with subtle modulation effects to create a lush soundscape.
Solo settings
updated 2026-10-29
- Amp model
- US DLX 65 Reissue (Fender Deluxe Reverb '65 Reissue)
- Channel
- Clean
- Cab
- 1x12 open back
- Pickup
- Neck pickup
- Guitar knobs
- Tone 7-8 · Volume 8-9
Neural DSP Quad Cortex knobs
- Gain
- 1
- Bass
- 5
- Mid
- 5
- Treble
- 5
Amp block
- Drive
- 4
- Master
- 7
- Bass
- 6
- Mid
- 6.5
- Treble
- 6.5
- Presence
- 6
Effects chain
- 1compressionChief CS3 (BOSS CS-3 Compression Sustainer)Level 7 · Sustain 6
- 2delayTape DelayMix 5 · Feedback 3
- 3reverbHallMix 7 · Decay 5
- 4overdriveGreen 808 (Ibanez TS808)Gain 4 · Tone 5 · Level 7
Playing tips
- Use a gentle attack to maintain clarity and avoid harshness.
- Focus on dynamic touch sensitivity to allow notes to swell and recede.
- Incorporate subtle bends to add expressiveness to the melody.
The original rig
What Bethel Music & Jenn Johnson used on the recording, for reference. ToneAdapt translates this to the controls your Neural DSP Quad Cortex actually has.
- Guitar
- Unknown (likely Fender-style single coil electric, typical for Bethel Music live worship context)
- Amp
- Unknown (likely Fender or Vox-style clean amp, typical for Bethel Music live worship context)
- Gain
- 3.5
- Bass
- 6
- Mid
- 6
- Treble
- 6.5
- Presence
- 6
- Reverb
- 5.5
Different guitar or pedals? Get No One Like The Lord (Live) adapted to your exact rig
These settings were generated for the gear named above. ToneAdapt adapts Bethel Music & Jenn Johnson's tone to your own guitar, pickups, amp and pedals in seconds.
Frequently asked questions
What amp model should I use on the Neural DSP Quad Cortex for No One Like The Lord (Live)?
Use the US DLX 65 Reissue (Fender Deluxe Reverb '65 Reissue) (clean channel) with Drive 2, Master 7, Bass 6, Mid 6, Treble 6.5, Presence 6, followed by Digital Delay, Spring Reverb Engine (M), Dream Chorus (TC Electronic Dreamscape).
Which pickup should I use for No One Like The Lord (Live)?
Neck + Middle, with the guitar's tone at 7-8 and volume at 8-9.
What gear did Bethel Music & Jenn Johnson use on No One Like The Lord (Live)?
Guitar: Unknown (likely Fender-style single coil electric, typical for Bethel Music live worship context). Amp: Unknown (likely Fender or Vox-style clean amp, typical for Bethel Music live worship context).
Will these settings work with my guitar?
Different pickups change how much gain and treble you need. ToneAdapt adapts the tone to your exact guitar, pickups, amp and pedals.
Popular songs on the Neural DSP Quad Cortex
- Sweet Child O' Mine · Guns N' Roses
- Master of Puppets · Metallica
- Walk · Pantera
- Enter Sandman · Metallica
- Holy Wars · Megadeth
- Raining Blood · Slayer
- Hotel California · Eagles
- Crazy Train · Ozzy Osbourne
- Welcome to the Jungle · Guns N' Roses
- Highway to Hell · AC/DC
- Pride and Joy · Stevie Ray Vaughan
- Whole Lotta Love · Led Zeppelin
Settings are generated by ToneAdapt's tone adaptation for the gear named on this page and are a starting point — every amp, guitar and room is a little different.