Neural DSP Quad Cortex settings
THANK GOD I'M FREE settings for Neural DSP Quad Cortex
ELEVATION RHYTHM & Lizzie Morgan · adapted 2 times on ToneAdapt
To get the ELEVATION RHYTHM & Lizzie Morgan "THANK GOD I'M FREE" solo tone on a Neural DSP Quad Cortex, use the US Deluxe Nrm amp model on the clean channel, then set Drive 5, Master 7, Bass 5.5, Mid 6.5, Treble 7, Presence 6. Use the neck + middle pickup with your guitar's tone on 7-8 and volume on 8-9.
Solo settings
Adapted for a Fender Player II Modified Stratocaster HSS · updated 2026-08-19
- Amp model
- US Deluxe Nrm
- Channel
- Clean
- Cab
- Open Back 1x12
- Pickup
- Neck + Middle
- Guitar knobs
- Tone 7-8 · Volume 8-9
Amp block
- Drive
- 5
- Master
- 7
- Bass
- 5.5
- Mid
- 6.5
- Treble
- 7
- Presence
- 6
Effects chain
- 1overdriveGreen 808 (TS808)Gain 3 · Tone 6 · Level 7
- 2reverbMind HallMix 5 · Decay 6
Playing tips
- Use a light touch for articulation and clarity in the solo.
- Incorporate slides and bends to add expressiveness.
- Experiment with fingerstyle for a warmer tone if desired.
Riff settings
Adapted for a Fender Player II Modified Stratocaster HSS · updated 2026-08-19
- Amp model
- US Deluxe Nrm
- Channel
- Crunch
- Cab
- Open back 1x12
- Pickup
- Bridge pickup (Bridge pickup)
- Guitar knobs
- Tone 7-8 · Volume 8-9
Neural DSP Quad Cortex knobs
- Gain
- 2.5
- Bass
- 5
- Mid
- 5
- Treble
- 5
Amp block
- Drive
- 4
- Master
- 7
- Bass
- 5.5
- Mid
- 6.5
- Treble
- 7
- Presence
- 6
Effects chain
- 1compressionJewel (Diamond Comp)Level 7 · Sustain 6
- 2modulationChorusMix 4 · Rate 3 · Depth 5
- 3delayDigital DelayMix 3 · Feedback 3
- 4reverbMind HallMix 4 · Decay 6.5
- 5noise gateNoise GateRelease 5 · Threshold 4
Playing tips
- Focus on tight, percussive picking to enhance clarity.
- Use palm muting for a more defined attack on the lower strings.
- Experiment with subtle finger vibrato for added expressiveness.
The original rig
What ELEVATION RHYTHM & Lizzie Morgan used on the recording, for reference. ToneAdapt translates this to the controls your Neural DSP Quad Cortex actually has.
- Guitar
- Unknown solid body electric guitar (likely Fender or PRS style, model not confirmed for this recording)
- Amp
- Amp model unknown (likely clean amp or amp modeler, possibly Fender or digital amp sim, not confirmed for this recording)
- Gain
- 0
- Bass
- 5.5
- Mid
- 5.5
- Treble
- 6.5
- Presence
- 5.5
- Reverb
- 4.5
Different guitar or pedals? Get THANK GOD I'M FREE adapted to your exact rig
These settings were generated for the gear named above. ToneAdapt adapts ELEVATION RHYTHM & Lizzie Morgan's tone to your own guitar, pickups, amp and pedals in seconds.
Frequently asked questions
What amp model should I use on the Neural DSP Quad Cortex for THANK GOD I'M FREE?
Use the US Deluxe Nrm (clean channel) with Drive 5, Master 7, Bass 5.5, Mid 6.5, Treble 7, Presence 6, followed by Green 808 (TS808), Mind Hall.
Which pickup should I use for THANK GOD I'M FREE?
Neck + Middle, with the guitar's tone at 7-8 and volume at 8-9.
What gear did ELEVATION RHYTHM & Lizzie Morgan use on THANK GOD I'M FREE?
Guitar: Unknown solid body electric guitar (likely Fender or PRS style, model not confirmed for this recording). Amp: Amp model unknown (likely clean amp or amp modeler, possibly Fender or digital amp sim, not confirmed for this recording).
Will these settings work with my guitar?
These settings were adapted for a Fender Player II Modified Stratocaster HSS. Different pickups change how much gain and treble you need. ToneAdapt adapts the tone to your exact guitar, pickups, amp and pedals.
Popular songs on the Neural DSP Quad Cortex
- Sweet Child O' Mine · Guns N' Roses
- Master of Puppets · Metallica
- Walk · Pantera
- Enter Sandman · Metallica
- Holy Wars · Megadeth
- Raining Blood · Slayer
- Hotel California · Eagles
- Crazy Train · Ozzy Osbourne
- Welcome to the Jungle · Guns N' Roses
- Highway to Hell · AC/DC
- Pride and Joy · Stevie Ray Vaughan
- Whole Lotta Love · Led Zeppelin
Settings are generated by ToneAdapt's tone adaptation for the gear named on this page and are a starting point — every amp, guitar and room is a little different.