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Orange Crush 12 settings

The Thrill is Gone settings for Orange Crush 12

B.B. King · adapted 6 times on ToneAdapt

To get the B.B. King "The Thrill is Gone" solo tone on a Orange Crush 12, set Gain 1.5, Volume 6, Bass 5, Mid 6, Treble 5, Overdrive 0. Use the bridge + middle pickup with your guitar's tone on 10 and volume on 8.

Solo settings

Adapted for a Squier Stratocaster · updated 2026-11-07

Pickup
Bridge + Middle
Guitar knobs
Tone 10 · Volume 8

Orange Crush 12 knobs

Gain
1.5
Volume
6
Bass
5
Mid
6
Treble
5
Overdrive
0

Built-in effects

  • Reverb off

Playing tips

  • Use a heavy pick for a percussive attack.
  • Focus on finger placement for quick, articulate notes.
  • Employ a smooth, flowing vibrato for expressive phrases.

The original rig

What B.B. King used on the recording, for reference. ToneAdapt translates this to the controls your Orange Crush 12 actually has.

Guitar
mid-1960s Gibson ES-355TD-SV
Amp
Gibson Lab Series L-5 solid state combo
Gain
0
Bass
6.5
Mid
6.5
Treble
6
Presence
5
Reverb
3
Full The Thrill is Gone tone breakdown, effects and sources →

Different guitar or pedals? Get The Thrill is Gone adapted to your exact rig

These settings were generated for the gear named above. ToneAdapt adapts B.B. King's tone to your own guitar, pickups, amp and pedals in seconds.

Frequently asked questions

What are the best Orange Crush 12 settings for The Thrill is Gone?

Set Gain 1.5, Volume 6, Bass 5, Mid 6, Treble 5, Overdrive 0.

Which pickup should I use for The Thrill is Gone?

Bridge + Middle, with the guitar's tone at 10 and volume at 8.

What gear did B.B. King use on The Thrill is Gone?

Guitar: mid-1960s Gibson ES-355TD-SV. Amp: Gibson Lab Series L-5 solid state combo.

Will these settings work with my guitar?

These settings were adapted for a Squier Stratocaster. Different pickups change how much gain and treble you need. ToneAdapt adapts the tone to your exact guitar, pickups, amp and pedals.

Popular songs on the Orange Crush 12

All 81 songs for the Orange Crush 12 →

Settings are generated by ToneAdapt's tone adaptation for the gear named on this page and are a starting point — every amp, guitar and room is a little different.