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Orange Crush Mini settings

Highway to Hell settings for Orange Crush Mini

AC/DC · adapted 2 times on ToneAdapt

To get the AC/DC "Highway to Hell" riff tone on a Orange Crush Mini, set Gain 6, Shape 7. Use the bridge pickup with your guitar's tone on 7-8 and volume on 8-9.

Riff settings

Adapted for a Squier Telecaster · updated 2026-08-18

Pickup
Bridge pickup
Guitar knobs
Tone 7-8 · Volume 8-9

Orange Crush Mini knobs

Gain
6
Shape
7

Playing tips

  • Use a strong pick attack for clarity and aggression.
  • Palm mute the lower strings for a tight, punchy sound.
  • Keep your strumming hand relaxed for fluid transitions between chords.

The original rig

What AC/DC used on the recording, for reference. ToneAdapt translates this to the controls your Orange Crush Mini actually has.

Guitar
Gibson SG Standard (late 1960s, likely 1968-1970, stock humbuckers)
Amp
Marshall Super Lead 1959 100-watt (plexi, late 1960s/early 1970s, no master volume)
Gain
6
Bass
6
Mid
7
Treble
7
Presence
6.5
Reverb
0
Full Highway to Hell tone breakdown, effects and sources →

Different guitar or pedals? Get Highway to Hell adapted to your exact rig

These settings were generated for the gear named above. ToneAdapt adapts AC/DC's tone to your own guitar, pickups, amp and pedals in seconds.

Frequently asked questions

What are the best Orange Crush Mini settings for Highway to Hell?

Set Gain 6, Shape 7.

Which pickup should I use for Highway to Hell?

Bridge pickup, with the guitar's tone at 7-8 and volume at 8-9.

What gear did AC/DC use on Highway to Hell?

Guitar: Gibson SG Standard (late 1960s, likely 1968-1970, stock humbuckers). Amp: Marshall Super Lead 1959 100-watt (plexi, late 1960s/early 1970s, no master volume).

Will these settings work with my guitar?

These settings were adapted for a Squier Telecaster. Different pickups change how much gain and treble you need. ToneAdapt adapts the tone to your exact guitar, pickups, amp and pedals.

Popular songs on the Orange Crush Mini

All 19 songs for the Orange Crush Mini →

Settings are generated by ToneAdapt's tone adaptation for the gear named on this page and are a starting point — every amp, guitar and room is a little different.