| Shadow Moses · riff | Riff · distorted | Epiphone Lee Malia Signature Les Paul Custom | Marshall JCM800 2203 head into 4x12 cab with Celestion Vintage 30 speakers | 8 |
| Drown (New) · clean | Clean · clean | Gibson EB Bass (likely Gibson EB series) | Ampeg SVT-810E (cabinet; head unknown) | 0 |
| Sleepwalking · riff | Riff · distorted | Epiphone Lee Malia Signature Les Paul Custom | Marshall JCM800 2203 head into 4x12 cabinet with Celestion Vintage 30s | 8 |
| Chelsea Smile (Kc Blitz Remix) · riff | Riff · distorted | Gibson Les Paul Standard (likely, Lee Malia's main studio guitar for this era) | Peavey 5150/6505+ (most likely, based on era, genre, and producer Fredrik Nordström's typical choices) | 9 |
| Slow Dance · riff | Riff · distorted | Ibanez GIO GAX70 | Orange Rockerverb MKII 100-Watt Tube Guitar Amp Head | 8.5 |
| Top 10 staTues tHat CriEd bloOd · riff | Riff · distorted | Epiphone Lee Malia Signature Les Paul Custom | Orange Rockerverb 100 MKII | 9 |
| A Lot Like Vegas · riff | Riff · distorted | Epiphone Les Paul Custom (likely 2000s model) | Marshall JCM800 2203 head into 4x12 cab with Celestion V30 speakers | 8.5 |
| Antivist (Live at the Royal Albert Hall) · riff | Riff · distorted | Epiphone Ltd. Ed. Lee Malia Signature Les Paul Custom | Marshall JCM800 2203 (with Marshall 1960BV 4x12 cab) | 8.5 |
| Antivist (Live at the Royal Albert Hall) [Ultra HD Version] · riff | Riff · distorted | Epiphone Lee Malia RD Custom Artisan Outfit | Marshall JCM800 2203 | 9.5 |
| Blessed with a Curse · riff | Riff · distorted | Epiphone Lee Malia Signature Les Paul Custom (likely, based on era and artist's statements) | Orange Rockerverb 100 MKI (studio recording, 2010 era, as per artist interviews and typical BMTH setup) | 8.5 |
| Can You Feel My Heart · riff | Riff · distorted | ESP LTD MH-1000 | Mesa Boogie Dual Rectifier | 8 |
| Chelsea Smile (Travis Mccoy Remix) · riff | Riff · distorted | Jackson LM-87 (Lee Malia signature, likely prototype or similar Jackson singlecut, mahogany body, set neck, dual humbuckers, 24.75" scale, heavy gauge strings) | Marshall JCM800 2203 (boosted with Klon Centaur-type overdrive pedal) | 9 |
| Crucify Me · riff | Riff · distorted | ESP LTD EC-1000 (likely, based on era and artist interviews for 'There Is a Hell...') | Peavey 6505+ (likely, based on BMTH's known studio use for this album/era) | 8.5 |
| Dear Diary, · riff | Riff · distorted | Epiphone Lee Malia Signature Les Paul Custom Artisan | Neural DSP Quad Cortex (Marshall JCM800 model, studio profile) | 8 |
| Dehumanized · riff | Riff · distorted | ESP LTD EC-1000 | Peavey 6505+ | 9 |
| Dehumanized · solo | Solo · distorted | Epiphone Lee Malia Signature Les Paul Custom Artisan | Marshall JCM800 (studio, likely with digital amp modeling for modern tones) | 8.5 |
| Diamonds Aren't Forever (I Haunt Wizards Remix) · riff | Riff · distorted | Epiphone Lee Malia Les Paul Custom Artisan | Peavey 5150 | 9 |
| Diamonds Aren't Forever (I Haunt Wizards Remix) · solo | Solo · distorted | ESP LTD EC-1000 (likely, Lee Malia's main guitar for this era/album, but not confirmed for this remix recording) | Marshall JCM800 (most cited for BMTH studio tones of this era, but not specifically confirmed for this remix or solo section) | 8.5 |
| Diamonds arent forever · riff | Riff · distorted | Epiphone Les Paul Custom (Lee Malia's main guitar during 'Suicide Season' era) | Peavey 5150 (studio recording, 2008 era) | 9 |
| Doomed · riff | Riff · distorted | Epiphone Lee Malia Signature Les Paul Custom | Marshall JCM 800 | 7 |
| Drown (New) · riff | Riff · distorted | Gibson Les Paul Custom (Lee Malia signature or similar, as used in studio for 'Drown') | Marshall JCM800 2203 | 8 |
| Follow You · solo | Solo · distorted | Epiphone Lee Malia Signature Les Paul Custom | Marshall JCM 800 2203 | 6 |
| Follow You · riff | Riff · clean | Fender Stratocaster MIM | Marshall JTM45 45W Tube Guitar Amp Head | 0 |
| Go To Hell, For Heavens Sake · riff | Riff · distorted | Gibson Les Paul Custom (Lee Malia's main studio guitar for Sempiternal) | Peavey 5150 120-Watt Head | 8.5 |
| Happy Song · riff | Riff · distorted | Epiphone Lee Malia RD Custom Artisan Outfit | Marshall JCM800 2203 | 9 |
| Happy Song · distorted | Distorted · distorted | Fender Precision Bass | Ampeg SVT Classic (likely, genre/era inference) | 7 |
| in the dark · riff | Riff · distorted | Epiphone Lee Malia Signature Les Paul Custom | Marshall JCM 800 2203 (into 4x12 cab with Celestion Vintage 30s) | 8 |
| It Was Written in Blood (L' Amour La Morgue Remix) · riff | Riff · distorted | Fender Stratocaster (1971-1977) | Peavey 6505+ 120-Watt Tube Guitar Amp Head into Marshall 1960B 4x12 Cabinet | 8 |
| Kingslayer (feat. BABYMETAL) · riff | Riff · distorted | ESP E-II Horizon NT-7B (likely, based on BMTH studio gear for 'Post Human: Survival Horror' era, but not explicitly confirmed for this track) | Marshall JCM800 (used via digital modeler or plugin, as referenced in forum discussions for BMTH studio tones) | 9 |
| Pray for plagues · riff | Riff · distorted | ESP LTD EC-1000 (likely, based on Lee Malia's main guitar for Count Your Blessings era, single-cut, 24.75" scale, as referenced in Source 2) | Marshall JCM 800 head with Marshall speaker cabinet | 9 |
| Re: They Have No Reflections · riff | Riff · distorted | ESP LTD EC-1000 (likely with EMG pickups, as per early BMTH era and genre conventions) | Peavey 5150/6505 (most likely, as per genre, era, and typical BMTH studio use for debut album) | 9 |
| Shadow Moses · riff | Riff · clean | Epiphone Lee Malia Signature Les Paul Custom | Marshall JCM800 2203 head with 4x12 cab (Celestion V30s) | 0 |
| Shadow Moses · clean | Clean · clean | Ibanez Sound Gear SR505 | Unknown (likely Ampeg SVT or similar, but not confirmed for studio recording) | 0 |
| Shadow Moses · solo | Solo · distorted | Epiphone Lee Malia Signature Les Paul Custom | Marshall JCM800 2203 with 4x12 cab loaded with Celestion Vintage 30s | 8 |
| Shadow Moses (Live at the Royal Albert Hall) [Ultra HD Version] · riff | Riff · distorted | Epiphone Lee Malia Signature Les Paul Custom | Marshall JCM800 2203 head into 4x12 cab with Celestion Vintage 30s | 8.5 |
| Sleep with One Eye Open (M. Shawn Crahan Remix) · riff | Riff · distorted | Epiphone Lee Malia RD Custom Ltd. | Peavey 5150 120-Watt Head | 8.5 |
| Sleepwalking (L.I.V.E. In São Paulo (Live Immersive Virtual Experiment)) · riff | Riff · distorted | Epiphone Lee Malia Signature Les Paul Custom | Marshall JCM800 2203 (live, as seen in São Paulo L.I.V.E. and confirmed in multiple interviews) | 8.5 |
| Slow Dance · clean | Clean · clean | Ibanez EDB700 (5-string, likely used in studio era) | Ampeg SVT (classic head, likely 810 cab) | 0 |
| Slow Dance (2026 Repented) · riff | Riff · distorted | Epiphone Lee Malia Signature LM-87 | Neural DSP Quad Cortex (Marshall amp model, modded high-gain patch) | 8 |
| Suicide season · riff | Riff · distorted | Ibanez RG (string-through, 24 frets, single EMG 81 pickup) | Peavey 5150 Blockletter head with Engl Powerball cabinet | 9 |
| Teardrops · riff | Riff · distorted | Epiphone Lee Malia Signature Les Paul Custom | Marshall JCM800 2203 | 7.5 |
| The Comedown (Robotsonics Remix) · riff | Riff · distorted | Ibanez RGT6EX | Peavey 5150 120-Watt Head | 8.5 |
| The Sadness Will Never End · riff | Riff · distorted | ESP LTD EC-1000 (likely, as used by Lee Malia during 'Suicide Season' era) | Peavey 5150/6505 (most likely, as used by BMTH on 'Suicide Season' and confirmed in interviews for this era) | 8.5 |
| Throne · riff | Riff · distorted | ESP LTD EC-1000 | Peavey 6505+ Head into Mesa/Boogie 4x12 Cabinet | 9 |
| Throne · clean | Clean · clean | Fender American Elite Jazz Bass | Ampeg SVT-VR (with Ampeg SVT-810E 8x10 cabinet) | 0 |
| Visions · riff | Riff · distorted | Ibanez RGT6EX | Peavey 6505+ 120-Watt Tube Guitar Amp Head | 8 |
| YOUtopia · riff | Riff · distorted | Paoletti Jazzmaster-style (custom, chestnut body, Paoletti hardware & pickups) | Orange Rockerverb 100 MKII | 8 |