| Who's Crying Now · solo | Solo · distorted | 1977 Gibson Les Paul Pro Deluxe (black, Floyd Rose, active electronics, yellow Ferrari sticker, serial 06 115596) | Marshall amplifier (exact model not specified, likely JMP or JCM800 era head used in studio for Escape album) | 7 |
| Don't Stop Believin' (2022 Remaster) · solo | Solo · distorted | 1977 Gibson Les Paul Pro Deluxe (black, Floyd Rose, active electronics, P90 pickups, serial 06 115596) | Marshall JMP 2203 100W head (likely, as used on 'Escape' sessions and confirmed by period interviews and gear rundowns) | 7 |
| Don't Stop Believin' (2024 Remaster) · riff | Riff · distorted | 1977 Gibson Les Paul Pro Deluxe (modified with Floyd Rose tremolo and active electronics) | Marshall amplifier (exact model not specified, likely JMP or JCM800 era head, used in studio for Escape album) | 6 |
| Separate Ways (Worlds Apart) [2024 Remaster] · riff | Riff · distorted | 1981 Gibson Les Paul Custom (Black Beauty, stock humbuckers) | Marshall JMP 2203 (100-watt head, late 1970s/early 1980s, likely with Marshall 4x12 cabinet, Celestion speakers) | 7 |
| Stone in Love · riff | Riff · distorted | 1977 Gibson Les Paul Pro Deluxe (black, Floyd Rose, active electronics, P90 pickups) | Roland Cube 40 (solid-state combo, early 1980s model, used in studio for 'Stone in Love' riff) | 6 |
| Don't Stop Believin' · riff | Riff · distorted | Gibson Les Paul Custom (late 1970s/early 1980s, black finish, stock humbuckers) | Marshall JMP 2203 100-watt head (late 1970s/early 1980s, likely with Marshall 4x12 cabinet, Celestion speakers) | 6.5 |
| Faithfully (2024 Remaster) · riff | Riff · distorted | Gibson Les Paul (likely Custom or Supreme, with Floyd Rose, as used by Neal Schon on Journey's 1980s recordings) | Marshall amplifier (likely JMP or JCM800, as used by Neal Schon in the early 1980s studio recordings) | 6.5 |
| Any Way You Want It (2024 Remaster) · riff | Riff · distorted | Gibson Les Paul Standard (late 1970s/early 1980s, likely sunburst finish) | Marshall JMP 2203 100W head with Marshall 4x12 cabinet (studio recording, 1979/1980 era) | 6.5 |
| Who's Crying Now (2022 Remaster) · solo | Solo · distorted | 1977 Gibson Les Paul Deluxe | Roland JC-120 Jazz Chorus | 5 |
| Anytime · solo | Solo · distorted | Gibson Les Paul (likely 1970s/early 1980s Standard or Custom, humbuckers) | Marshall amplifier (model not specified, likely JMP or JCM800 era, as per 1970s/early 1980s Journey studio use) | 7 |
| Ask the Lonely (2024 Remaster) · riff | Riff · distorted | PRS NS-15 Neal Schon Signature Model | Blackstar Series One 100 | 6 |
| Don't Stop Believin' · solo | Solo · distorted | 1977 Gibson Les Paul Pro Deluxe (black, modified with Floyd Rose and active electronics) | Marshall amplifier (likely JMP or JCM800, as used in studio in early '80s) | 7 |
| Don't Stop Believin' (2024 Remaster) · solo | Solo · distorted | Gibson Les Paul Standard | Marshall JCM800 | 6 |
| Don't Stop Believin' (Live at The Summit, Houston, Texas, November 5, 1981) · solo | Solo · distorted | 1977 Gibson Les Paul Pro Deluxe (black, with Floyd Rose tremolo, active electronics, yellow Ferrari sticker) | Marshall JMP 2203 Mk II Master Lead 100w head into 4x12 cabinet | 7.5 |
| Don't Stop Believin' (Live at The Summit, Houston, Texas, November 5, 1981) · riff | Riff · distorted | 1977 Gibson Les Paul Pro Deluxe (black, Floyd Rose prototype, active electronics, yellow Ferrari sticker) | Vox AC30 Guitar Combo Amp | 6 |
| Don't Stop Believin' (Live In Houston, 1981) · riff | Riff · distorted | 1977 Gibson Les Paul Pro Deluxe (black, Floyd Rose, active electronics, humbucker bridge, P-90 neck) | Marshall JMP (likely 2203 or 2204, live rig, 1981 Escape Tour) | 6 |
| Faithfully · solo | Solo · distorted | Gibson Les Paul Custom (likely black, 1970s/early 80s era) | Marshall JMP 2203 (100W, late 70s/early 80s, likely modded for more gain) | 7 |
| Faithfully (2024 Remaster) · solo | Solo · distorted | Gibson Les Paul Supreme (custom, Trans Ebony B finish, Floyd Rose tremolo) | EVH 5150III 100S 100-Watt Tube Head | 6.5 |
| I'll Be Alright Without You (2024 Remaster) · riff | Riff · distorted | PRS NS-15 Neal Schon Signature Model | Blackstar Series One 100 100W Tube Guitar Amp Head | 5 |
| I'll Be Alright Without You (2024 Remaster) · solo | Solo · distorted | PRS NS-15 Neal Schon Signature Prototype (semi-hollow, Floyd Rose, Seymour Duncan Custom Custom bridge pickup, Fernandes Sustainer) | Blackstar Series One 100 | 6 |
| I'll Be Alright Without You (2024 Remaster) · riff | Riff · clean | PRS NS-15 Neal Schon Signature Model | PRS Archon (studio, 2024 remaster era); Blackstar Series One 100 (live backup) | 3 |
| Lights (2024 Remaster) · solo | Solo · distorted | Gibson Les Paul Standard '60s (1978) | Marshall 1959SLP Plexi Super Lead Reissue | 4.5 |
| Open Arms (2024 Remaster) · solo | Solo · distorted | Gibson Les Paul Custom (likely 1970s/1980s, as used by Neal Schon on classic Journey ballads) | Fender Blackface Deluxe (heavily modified, with JBL and Altec speakers, vibrato disconnected, as described by Neal Schon for classic Journey studio tones) | 5.5 |
| Send Her My Love · solo | Solo · distorted | Gibson Les Paul Custom (late 70s/early 80s, likely black finish) | Mesa/Boogie Mark IIC+ (studio recording, 1983) | 6.5 |
| Separate Ways (Worlds Apart) · riff | Riff · distorted | Gibson Les Paul with P90 pickups | Marshall amp head (likely JMP or JCM800 era, exact model not specified for studio recording) | 7 |
| Separate Ways (Worlds Apart) [2024 Remaster] · solo | Solo · distorted | Fender Custom Shop Stratocaster (Neal Schon spec, Fernandes Sustainer, Roland synth pickup, DiMarzio Fast Track 2 neck, Seymour Duncan Custom Custom bridge) | Mesa/Boogie Mark IIC+ (studio, 1983 recording era) | 7 |
| Stone in Love · solo | Solo · distorted | 1979 Gibson Les Paul Custom | Marshall JMP 2203 100-watt head | 7.5 |
| Stone In Love (2022 Remaster) · riff | Riff · distorted | Custom Super Strat (Neal Schon, 1981 recording) | Soldano SLO-100 | 6.5 |
| Trial By Fire · solo | Solo · distorted | PRS Custom 24 (likely 1990s model, as used by Neal Schon in this era) | Blackstar Series One 100 100W Tube Guitar Amp Head | 6.5 |
| Who's Crying Now · riff | Riff · distorted | Gibson Les Paul Custom (late 70s/early 80s, likely black finish, stock humbuckers) | Marshall JMP 2203 100W head (studio recording, early 80s) | 6.5 |
| Who's Crying Now (2022 Remaster) · solo | Solo · clean | Gibson Les Paul | Roland Cube 60 1x12 combo | 0 |
| Who's Crying Now (Live In Houston, 1981) · solo | Solo · distorted | 1977 Gibson Les Paul Pro Deluxe (black, Floyd Rose, active electronics, yellow Ferrari sticker) | Randall RG100ES solid-state head | 6.5 |
| Who's Crying Now (Live In Houston, 1981) · riff | Riff · distorted | Gibson Les Paul Custom (likely black, as used by Neal Schon in 1981 live performances) | Fender Twin Reverb (Silverface, late 1970s/early 1980s model, as cited for this live performance) | 5.5 |
| Why Can't This Night Go On Forever · solo | Solo · distorted | Gibson Les Paul (likely Custom or Standard, as used by Neal Schon in the 1980s studio recordings) | Marshall amplifier (likely JMP or JCM800, as used by Neal Schon on 1980s Journey studio recordings) | 7 |