| Misery Business · riff | Riff · distorted | Gibson 20th Anniversary 1957 Les Paul Custom Black Beauty | Marshall JCM 2000 DSL 100W with Mesa/Boogie 4x12 cab | 7 |
| Decode · riff | Riff · distorted | Fender Classic Series '72 Telecaster Deluxe | Mesa/Boogie Dual Rectifier 100W 3-channel Solo Head | 7.5 |
| Decode · riff | Riff · clean | Fender American Deluxe Telecaster (likely, based on era and live photos, but not 100% confirmed for studio recording) | Vox AC30 (most sources and genre/era suggest this for clean Paramore tones) | 0 |
| Ignorance · riff | Riff · distorted | 1989 Epiphone Sheraton | Marshall JCM2000 Dual Super Lead | 7 |
| Here We Go Again · riff | Riff · distorted | Fender Jazzmaster (custom, likely with humbuckers) | Marshall JCM 2000 DSL 100 (modded, studio use confirmed for era) | 6 |
| Pressure · riff | Riff · distorted | Gibson Les Paul Studio | Orange AD30HTC 30W Tube Guitar Amp Head | 6.5 |
| Hard Times · riff | Riff · distorted | BilT Relevator LS | Modded Marshall JCM 2000 DSL 100 | 5 |
| Misery Business · solo | Solo · distorted | Gibson Les Paul Custom (likely 2000s, used by Josh Farro in studio) | Marshall JCM 2000 DSL 100W head with Mesa/Boogie 4x12 cab | 6 |
| That's What You Get · riff | Riff · distorted | Fender '75 Starcaster (likely, based on studio gear for Riot! era) | Marshall JCM 2000 DSL 100 (modded, likely for main riff section) | 6.5 |
| Anklebiters · riff | Riff · distorted | Fender American Standard Telecaster | Marshall JCM2000 DSL 100W head with Mesa/Boogie 4x12 cab | 5.5 |
| I Caught Myself · riff | Riff · distorted | Gibson Midtown Custom | Marshall JCM 2000 DSL 100 (modded) | 6.5 |
| Turn It Off · riff | Riff · distorted | Fender Telecaster (likely American Standard or Deluxe, as used by Josh Farro on Brand New Eyes) | Orange Rockerverb 100 (most commonly cited for Brand New Eyes studio sessions, especially for rhythm/riff sections) | 6.5 |
| (One of Those) Crazy Girls · riff | Riff · distorted | Fender Player Jaguar | Marshall JCM2000 DSL100 | 4.5 |
| Ain't It Fun · riff | Riff · clean | Fender American Standard Stratocaster (2013 era, Taylor York's main studio guitar for clean tones) | Fender Hot Rod DeVille 212 (studio recording amp, known Paramore studio choice for clean tones on 'Paramore' album) | 0 |
| Ain't It Fun · riff | Riff · distorted | Danelectro 59 DC | Marshall JCM 2000 DSL 100 (modded) | 5.5 |
| All I Wanted · riff | Riff · distorted | Fender Telecaster (likely American Standard or Deluxe, as used by Taylor York in studio for Brand New Eyes era) | Vox AC30 (studio recording, as referenced in forum discussions and typical for Paramore's driven tones on this album) | 5.5 |
| All I Wanted · riff | Riff · clean | Fender Telecaster (likely American Standard or Deluxe, as used by Taylor York in studio) | Vox AC30 (studio recording, as suggested by forum consensus and genre-typical choices) | 0 |
| All I Wanted · solo | Solo · distorted | Fender Telecaster (likely American Standard or Deluxe, as used by Taylor York on the 'Paramore' album sessions) | Marshall Silver Jubilee 20 watt head (studio recording, as per Taylor York's known studio amps for this era) | 7 |
| All We Know · riff | Riff · distorted | Fender Jaguar (likely Player or American series, as used by Josh Farro on the album) | Marshall JCM2000 DSL100 | 7 |
| Brick By Boring Brick · solo | Solo · distorted | Fender Telecaster (likely American Standard, as used by Josh Farro in the studio circa 2009) | Marshall JCM800 (studio recording, 2009 era) | 6.5 |
| Brick By Boring Brick · riff | Riff · distorted | Fender Telecaster (likely American Standard, as used by Josh Farro on Brand New Eyes) | Orange Rockerverb 100 MkI Head (studio recording, Brand New Eyes era) | 7 |
| C’est Comme Ça · riff | Riff · distorted | Gretsch Broadkaster S159 | Unknown (amp model not confirmed for this song/section, but likely a clean or edge-of-breakup amp based on tone and era; no explicit source) | 5.5 |
| Conspiracy · riff | Riff · clean | Gibson Les Paul Studio (likely 2000s, as used by Josh Farro on 'All We Know Is Falling') | Orange Rockerverb 100 Head with Orange 4x12 Cabinet (studio, 2005 era, as per forum and genre/era inference) | 0 |
| Conspiracy · riff | Riff · distorted | 1989 Epiphone Sheraton | Orange AD30 (likely combo or head, as used on 'All We Know Is Falling' era) | 6.5 |
| Crave · riff | Riff · distorted | Fender Custom Shop Two Single Coil Stratocaster | Unknown (no direct source for amp model on this recording; likely a clean/edge-of-breakup amp, possibly Fender or similar, based on genre and era) | 5 |
| Crushcrushcrush · clean | Clean · clean | Unknown | Unknown | 0 |
| Crushcrushcrush · riff | Riff · distorted | Fender American Standard Telecaster (2000s, likely black/maple, as used by Josh Farro on 'Riot!' album) | Marshall JCM2000 DSL100 (studio recording, as used on 'Riot!' sessions) | 6 |
| Decode · solo | Solo · clean | Fender Classic Series '72 Telecaster Deluxe | Orange Rockerverb 100 Mk I Head with Orange 4x12 Cabinet | 0 |
| Decode · clean | Clean · clean | Unknown | Unknown | 0 |
| Decode · solo | Solo · distorted | Fender Stratocaster Elite | Mesa/Boogie Dual Rectifier 100W 3-channel Solo Head | 7.5 |
| Emergency · riff | Riff · clean | Fender Classic Series '72 Telecaster Deluxe (likely, based on era and band member gear) | Fender Twin Reverb (likely, based on clean tone and era-typical Paramore studio setups) | 0 |
| Emergency · solo | Solo · distorted | Fender Stratocaster Elite | Mesa/Boogie Dual Rectifier 100W 3-channel Solo Head | 7 |
| Emergency · riff | Riff · distorted | Fender Telecaster (likely 2000s MIM Standard or similar, as used by Josh Farro on debut album) | Marshall JCM2000 Dual Super Lead (DSL) Head | 7 |
| Feeling Sorry · riff | Riff · distorted | Fender American Standard Telecaster | Marshall JCM2000 DSL100 | 6.5 |
| Fences · riff | Riff · distorted | Fender American Standard Telecaster | Orange Rockerverb 100 Head with Orange 4x12 Cabinet | 6 |
| Grudges · riff | Riff · clean | Fender Jazzmaster (likely 2010s American model, as used by Taylor York on After Laughter) | Fender Hot Rod DeVille (likely, based on After Laughter studio gear lists and Taylor York's known studio amps for this era) | 0 |
| Hate To See Your Heart Break · riff | Riff · clean | Fender Telecaster (likely American Standard, 2010s era) | Fender Hot Rod DeVille (likely, based on Paramore's studio use in this era) | 3 |
| Here We Go Again · riff | Riff · clean | Epiphone Sheraton (1989, with Arcane Ultratron pickups) | Divided By 13 RSA 23 | 0 |
| I Caught Myself · riff | Riff · clean | Fender American Standard Telecaster | Fender Hot Rod DeVille 212 | 0 |
| Ignorance · solo | Solo · distorted | Fender American Standard Telecaster (likely 2000s model, as used by Josh Farro in studio era) | Orange Rockerverb 100 MKI Head with Orange 4x12 Cabinet (studio, 2009 era, based on known Paramore studio setups) | 7 |
| Ignorance · distorted | Distorted · distorted | Fender Precision Bass | Ampeg SVT Classic (likely with 8x10 cab) | 6 |
| My Heart · solo | Solo · distorted | Fender Telecaster (likely 2000s American Standard or similar, as used by Josh Farro on 'All We Know Is Falling') | Marshall JCM2000 DSL100 (most commonly cited for Paramore's early albums, including 'All We Know Is Falling') | 6.5 |
| My Heart · riff | Riff · distorted | Epiphone Les Paul Custom (likely 2000s Korean or Chinese model) | Marshall JCM2000 DSL100 (studio version, 2005-2006 era) | 6.5 |
| My Heart · riff | Riff · clean | Fender Jazzmaster (likely custom, as used by Taylor York in studio for early Paramore recordings) | Marshall JCM 2000 DSL 100 (modded, as confirmed for Taylor York's studio and live use in this era) | 0 |
| O Star · riff | Riff · clean | Fender Telecaster (likely early 2000s, as used by Taylor York and Josh Farro in early Paramore recordings) | Fender Hot Rod DeVille (most common clean amp for early Paramore studio recordings, no direct source for O Star but inferred from era and genre) | 0 |
| Playing God · clean | Clean · clean | Fender American Jazz Bass (1982 Gold Jazz Bass) or Fender American Standard Jazz Bass | Ashdown ABM 900 EVO III head with Ashdown 8x10 cabinet and/or Ampeg SVT-VR head with SVT-810AV cabinet | 0 |
| Playing God · riff | Riff · distorted | Fender American Standard Telecaster (Taylor York, studio recording) | Orange Rockerverb 100 MKI Head with Orange 4x12 Cabinet (studio recording, 2009-2010) | 5.5 |
| Proof · riff | Riff · distorted | BilT Relevator LS | Marshall JCM 2000 DSL 100 (modded, used for dirty tones in studio and live for this era) | 6.5 |
| Running Out Of Time · riff | Riff · distorted | Fender Telecaster (likely American Standard or Deluxe, as used by Taylor York on 'This Is Why' sessions) | Vox AC30 (studio recording, as suggested by multiple forum sources for 'Running Out Of Time' era) | 5 |
| Still Into You · solo | Solo · distorted | Fender American Elite Stratocaster | Mesa/Boogie Dual Rectifier 100W 3-channel Solo Head (Multi-Watt) | 6.5 |
| Still Into You · clean | Clean · clean | Fender Jazz Bass (1981, all-original, used fingerstyle) | Sunn 2000S head (1969) with 2x15” cab | 0 |
| Still Into You · distorted | Distorted · distorted | Fender Precision Bass | Ampeg SVT Classic (likely, inferred from era/genre and typical Paramore live/studio rigs) | 6 |
| Still Into You · riff | Riff · distorted | Fender Stratocaster | Marshall JCM800 | 6 |
| Tell Me It's Okay (Self-Titled Demo) · riff | Riff · distorted | Gibson Midtown Custom | Marshall JCM 2000 DSL 100 (modded) | 6.5 |
| Tell Me It's Okay (Self-Titled Demo) · riff | Riff · clean | Gibson Midtown Custom | Divided By 13 RSA 23 | 0 |
| That's What You Get · solo | Solo · distorted | Fender Jaguar (likely CIJ or MIM, as used by Josh Farro on Riot! sessions) | Mesa/Boogie Dual Rectifier (studio recording, Riot! era) | 6 |
| The Only Exception · riff | Riff · clean | Fender Jaguar (likely 1960s reissue, as used by Taylor York on studio recording) | Vox AC30 (studio recording, clean channel) | 0 |
| Thick Skull · riff | Riff · distorted | Fender Jazzmaster (likely American Professional II or similar, as used by Taylor York on 'This Is Why' sessions) | Marshall JCM800 (likely studio amp for riff section, based on Paramore's modern studio rig and genre conventions) | 6 |
| This Is Why · riff | Riff · distorted | 1989 Epiphone Sheraton | Marshall JCM800 | 6.5 |
| Told You So · riff | Riff · distorted | Fender American Elite Stratocaster | Mesa/Boogie Dual Rectifier 100W 3-channel Solo Head (Multi-Watt) | 5 |
| When It Rains · riff | Riff · distorted | Gibson Les Paul Studio (likely, as used by Josh Farro on Riot! sessions) | Marshall JVM (likely JVM410H or JVM205H, as used on Riot! era) | 6.5 |
| Where the Lines Overlap · riff | Riff · distorted | Fender Telecaster (likely American Standard, as used by Josh Farro on Brand New Eyes era) | Marshall JCM2000 DSL100 (most likely, based on era and Josh Farro's known studio/live rig for Brand New Eyes) | 6 |