| No One Knows · riff | Riff · distorted | Gretsch G6131T-HT Duo Jet (likely, but not 100% confirmed for this track; Homme is known to have used a Gretsch Duo Jet for the main riff on 'No One Knows') | Peavey Standard 260 PA head, Ampeg VT-40, Tube Works RT2100 (studio blend, as per engineer and multiple sources) | 7 |
| My God Is the Sun · riff | Riff · distorted | Gibson Marauder | Peavey Series 260 Standard PA | 7.5 |
| Go with the Flow · riff | Riff · distorted | Gretsch G6136T White Falcon | Peavey Decade (solid-state combo, 1980s model) | 7.5 |
| Song for the Dead · riff | Riff · distorted | Gretsch G6134 Spectra Sonic | Ampeg V4 | 7.5 |
| Go With the Flow · solo | Solo · distorted | Gibson Marauder | Peavey Decade (solid-state combo, studio recording) | 7.5 |
| I Sat by the Ocean · riff | Riff · distorted | Echopark Model J | Unknown (likely vintage tube amp, possibly Ampeg V-4 or similar, but not confirmed for this recording) | 6 |
| Little Sister · riff | Riff · distorted | Gretsch G6134 Spectra Sonic | Peavey Series 260 Standard PA | 7 |
| 3's & 7's · riff | Riff · distorted | Maton BB1200 JH | Ampeg V-4 (1970) | 7 |
| Avon · riff | Riff · distorted | Gibson Marauder | Peavey Series 260 Standard PA | 7.5 |
| In My Head · riff | Riff · distorted | Gretsch G6134 Spectra Sonic | Peavey Decade (original 1980s solid-state combo) | 7 |
| Sick, Sick, Sick · riff | Riff · distorted | Ampeg Dan Armstrong Plexi Electric Guitar | Unknown (likely vintage tube amp, possibly Ampeg or custom, but not confirmed for this recording) | 8 |
| You Think I Ain't Worth a Dollar, But I Feel Like a Millionaire · riff | Riff · distorted | 2000s Yamaha AES1500 (Josh Homme's main guitar for Songs for the Deaf sessions, likely used for riff section) | Ampeg V4 (1970s, used by Josh Homme for Songs for the Deaf studio recording) | 8.5 |
| God Is In The Radio · riff | Riff · distorted | Gretsch G6143 Spectra Sonic | Peavey Series 260 Standard PA | 7 |
| Mexicola · riff | Riff · distorted | Gretsch G6131T Duo Jet (likely, or Gretsch G6143 Spectra Sonic as sometimes cited for early QOTSA) | Peavey Series 260 Standard PA | 7.5 |
| 3's & 7's · solo | Solo · distorted | Maton BB1200 JH | Orange OR120 (studio, likely blended with Ampeg V-4 for mids and punch) | 7 |
| Avon · solo | Solo · distorted | Ovation Ultra GP | Ampeg VT-40 | 7 |
| Burn the Witch · riff | Riff · distorted | Maton BB1200 | Peavey Decade (studio recording, as seen in era photos and referenced in gear rundowns for Lullabies to Paralyze sessions) | 6 |
| First It Giveth · riff | Riff · distorted | Ovation Ultra GP | Ampeg V-4 | 7.5 |
| Go with the Flow · clean | Clean · clean | Fender Precision Bass (likely, but not 100% confirmed for this track) | Peavey Decade (solid-state combo, studio recording, as cited by Josh Homme for Songs for the Deaf bass tracks) | 0 |
| Go with the Flow · riff | Riff · clean | Maton BB1200 | Orange OR120 | 0 |
| Go With the Flow · distorted | Distorted · distorted | Fender Precision Bass (likely, as used by Nick Oliveri on 'Songs for the Deaf' era) | Ampeg SVT Classic (studio standard for QOTSA, era-appropriate, and referenced in multiple QOTSA tone discussions) | 6.5 |
| Gonna Leave You · riff | Riff · distorted | Gretsch G6143 Spectra Sonic | Peavey Series 260 Standard PA | 6.5 |
| How to Handle a Rope (A Lesson in the Lariat) · riff | Riff · distorted | Ovation Ultra GP | Ampeg VT-40 | 7 |
| I Appear Missing · solo | Solo · distorted | Fender Telecaster | Ampeg VT-40 | 8 |
| I Appear Missing · riff | Riff · distorted | Gibson Marauder | Greedtone JHI-100 Amp Head | 7 |
| I Never Came · riff | Riff · clean | Yamaha SA503 TVL Electric Guitar | Ampeg V-4 (studio, Lullabies to Paralyze era, 2004-2005) | 0 |
| I Sat by the Ocean · solo | Solo · distorted | Maton BB1200 | Peavey Decade (solid state combo, late 1970s/early 1980s) | 7 |
| I Think I Lost My Headache · riff | Riff · distorted | Gibson Marauder | Peavey Series 260 Standard PA | 6.5 |
| If I Had a Tail · riff | Riff · distorted | Maton MS500 (Josh Homme's main studio guitar for ...Like Clockwork era, likely used on 'If I Had a Tail') | Ampeg VT-40 (primary amp for Josh Homme on ...Like Clockwork studio sessions) | 7 |
| If Only · riff | Riff · distorted | Maton BB1200 | Ampeg V-4 | 6.5 |
| In My Head · solo | Solo · distorted | Maton BB1200 JH | Greedtone JHI-100 | 7 |
| Little Sister · solo | Solo · distorted | Maton MS500 | Peavey 260 Standard PA head | 7 |
| Make It Wit Chu · solo | Solo · distorted | Fender Telecaster (likely American Standard or Custom Shop, as seen in studio and confirmed by multiple sources for this song/era) | Ampeg V-4 (1970s tube head, used in studio for Era Vulgaris sessions, including 'Make It Wit Chu') | 6 |
| Make It Wit Chu · riff | Riff · clean | Gretsch G6136 White Falcon (likely), or Gretsch G6129T Silver Jet | Ampeg V-4 (1970s model), possibly Orange OR120 (studio, Era Vulgaris 2007) | 3.5 |
| Make It Wit Chu · riff | Riff · distorted | Gretsch G6136 White Falcon (likely, but not 100% confirmed for this track; Josh Homme is known to use this model in studio for Era Vulgaris era riff sections) | Ampeg V-4 (studio recording amp for Era Vulgaris, as cited for Homme's main riff tones on this album) | 6 |
| My God Is the Sun · solo | Solo · distorted | Gibson Marauder | Ampeg V-4 (1970s) and/or Peavey Series 260 Standard PA (studio blend likely, Ampeg V-4 primary for leads) | 7.5 |
| No One Knows · distorted | Distorted · distorted | Fender Precision Bass (likely 1970s reissue or vintage) | Ampeg SVT (likely SVT-II or SVT Classic, all-tube head) into Ampeg 8x10 cab | 7 |
| No One Knows · solo | Solo · distorted | Fender Sub-Sonic Baritone (studio recording, 2002, as referenced for main and solo sections; some sources mention custom Bilt baritone or Gretsch G5265 Jet Baritone as alternates, but Sub-Sonic is most cited for this era/track) | Ampeg V4 (studio recording, 2002; Peavey Decade also used for overdubs, but Ampeg V4 is primary for main solo tone) | 6.5 |
| No One Knows (Live at Brixton Academy 2005) · riff | Riff · distorted | Gibson Les Paul Standard | Orange Rockerverb 100 (live), with possible Peavey Decade and Ampeg VT-40/Ampeg V-4B blended in rig | 7 |
| Paper Machete · riff | Riff · distorted | Echopark Esperanto Z | Ampeg V-4 (studio, likely with Orange OR120 or Peavey Decade Too as secondary/alternate amp) | 7 |
| Regular John · riff | Riff · distorted | Maton BB1200 | Orange OR120 | 7.5 |
| Song for the Dead · solo | Solo · distorted | Gibson Marauder | Ampeg V-4 | 7.5 |
| Song for the Dead · riff | Riff · clean | Maton BB1200 | Ampeg V-4 (studio), possibly Orange Matamp OR120 (live, but Ampeg V-4 is more cited for studio clean sections) | 0 |
| Song for the Deaf · riff | Riff · distorted | Maton BB1200 DLX | Ampeg VT-40 (studio), Ampeg V-4B (also used on album), Orange Matamp OR120 (sometimes layered) | 7 |
| Suture Up Your Future · riff | Riff · distorted | Maton BB1200 JH | Ampeg VT-40 | 6.5 |
| The Evil Has Landed · riff | Riff · distorted | Echopark 9-string (GBE strings doubled, similar to a 12-string for riff) | Unknown high-headroom clean amp (possibly Ampeg V4 or similar, as per Homme's Villains-era studio use, but not confirmed for this track) | 7 |
| The Fun Machine Took a Shit and Died · riff | Riff · distorted | Maton MS500 | Peavey Decade (transistor combo, 1980s model) | 8 |
| The Lost Art of Keeping a Secret · riff | Riff · distorted | Gibson Marauder Custom | Peavey Decade (10-watt solid state combo) | 6.5 |
| The Sky Is Fallin' · riff | Riff · distorted | Yamaha AES1500B | Echopark Vibramatic 23 | 7 |
| The Way You Used To Do · riff | Riff · distorted | Maton BB1200 JH | Peavey Decade (original 1980s solid-state combo, likely miked in studio) | 7 |