Solo Tone
สิทธิ์ของเธอ
Asanee & Wasan
Guitarrock1980s
Original Gear
GuitarGibson Les Paul Custom (likely 1970s-1980s, black finish, as per Asanee's signature guitar in this era)
AmpMarshall amplifier (exact model unknown, likely JCM800 or JMP series, typical for Thai rock in late 80s/early 90s)
PickupsGibson humbuckers (stock, likely T-Top or similar vintage humbucker)
Amp Settings
gain6.5
bass6
mid7
treble7
reverb3
presence6
Effects & Signal Chain
delayUnknown Delay pedal (model unknown)
overdriveUnknown Overdrive pedal (model unknown, likely Tube Screamer or Boss SD-1 style)
Notes
Studio recording, circa late 1980s to early 1990s. No direct evidence of pedalboard or amp model for this specific song/solo, but Asanee is strongly associated with Les Paul Custom and Marshall amps for his signature lead sound in this era. No evidence of live rig or alternate guitars for this solo.
Tone Character(9)
singing sustainsmooth and fluid lead linesmid-forward presencewarm upper midstight but not harsh attackslight natural compressionarticulate single-note clarityclassic rock lead voicingtouch-sensitive dynamic response
Difficulty
The solo requires intermediate to advanced phrasing, expressive bends, and control of sustain and feedback, as well as precise timing to match delay repeats and maintain clarity in melodic runs.
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Create Free AccountGuitarrock1980s
Original Gear
GuitarGibson Les Paul Custom (likely 1970s-1980s, black finish, as per Asanee's signature guitar in this era)
AmpMarshall amplifier (exact model unknown, likely JCM800 or JMP series, typical for Thai rock in late 80s/early 90s)
PickupsGibson humbuckers (stock, likely T-Top or similar vintage humbucker)
Amp Settings
gain6.5
bass6
mid7
treble7
reverb3
presence6
Effects & Signal Chain
delayUnknown Delay pedal (model unknown)
overdriveUnknown Overdrive pedal (model unknown, likely Tube Screamer or Boss SD-1 style)
Notes
Studio recording, circa late 1980s to early 1990s. No direct evidence of pedalboard or amp model for this specific song/solo, but Asanee is strongly associated with Les Paul Custom and Marshall amps for his signature lead sound in this era. No evidence of live rig or alternate guitars for this solo.
Tone Character(9)
singing sustainsmooth and fluid lead linesmid-forward presencewarm upper midstight but not harsh attackslight natural compressionarticulate single-note clarityclassic rock lead voicingtouch-sensitive dynamic response
Difficulty
The solo requires intermediate to advanced phrasing, expressive bends, and control of sustain and feedback, as well as precise timing to match delay repeats and maintain clarity in melodic runs.
สิทธิ์ของเธอ settings for your amp
Exact settings ToneAdapt players use on these amps.
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