Riff Tone
&
Tally Hall
Guitarrock2010s+
Original Gear
GuitarGibson ES-335 (studio-owned, used by Rob Cantor on Good & Evil sessions)
AmpVox AC30
PickupsGibson ES-335 stock humbuckers
Amp Settings
gain4.5
bass7
mid8
treble6.5
reverb5
presence5
Effects & Signal Chain
delayBoss Boss DM-2 Delay
Notes
Studio recording, 2010-2011, as seen in Stratosphere Sound session photos and BORALOGUE VI video. Guitar is likely a Stratosphere Sound studio ES-335, not Rob Cantor's personal instrument. Boss DM-2 Delay pedal seen on top of Vox AC30 during recording. No evidence of live use for this song/part.
Tone Character(10)
bright and articulatewarm and smoothlush, layered soundscapepresent, forward midsrich low endclear note separationslightly overdriven edgeambient delay repeatsroomy, reverberant texturedynamic, playful rhythm
Difficulty
The riff requires intermediate-level rhythmic precision, clean articulation to maintain note separation with delay, and careful timing to lock in with the song's layered arrangement.
Sources
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Original Gear
GuitarGibson ES-335 (studio-owned, used by Rob Cantor on Good & Evil sessions)
AmpVox AC30
PickupsGibson ES-335 stock humbuckers
Amp Settings
gain4.5
bass7
mid8
treble6.5
reverb5
presence5
Effects & Signal Chain
delayBoss Boss DM-2 Delay
Notes
Studio recording, 2010-2011, as seen in Stratosphere Sound session photos and BORALOGUE VI video. Guitar is likely a Stratosphere Sound studio ES-335, not Rob Cantor's personal instrument. Boss DM-2 Delay pedal seen on top of Vox AC30 during recording. No evidence of live use for this song/part.
Tone Character(10)
bright and articulatewarm and smoothlush, layered soundscapepresent, forward midsrich low endclear note separationslightly overdriven edgeambient delay repeatsroomy, reverberant texturedynamic, playful rhythm
Difficulty
The riff requires intermediate-level rhythmic precision, clean articulation to maintain note separation with delay, and careful timing to lock in with the song's layered arrangement.
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