Solo Tone
我會好好的
Wu Bai & China Blue
Guitarrock2000s
Original Gear
GuitarYamaha SG2000 (likely, based on Wu Bai's studio use in this era)
AmpMarshall JCM800 (likely, based on Wu Bai's known studio rig in 2000s)
PickupsHumbucker (Yamaha SG2000 stock humbuckers)
Amp Settings
gain6
bass6
mid7
treble6.5
reverb3
presence6
Effects & Signal Chain
modulationElectro-Harmonix Electro-Harmonix Riddle Envelope Filter
Notes
Studio recording, circa 2002-2003. Gear inferred from Wu Bai's documented studio rig and era. No direct source confirms exact gear for this solo, but Yamaha SG2000 and Marshall JCM800 are widely reported as his main studio setup for this period.
Tone Character(10)
singing sustainsmooth and fluid lead linesmid-forward presencearticulate note separationslightly compressed attackwarm upper midscontrolled feedbacktouch-sensitive responserounded highsfull-bodied crunch
Difficulty
The solo requires intermediate lead technique with expressive bends and vibrato, as well as dynamic control to interact with the envelope filter effect. While not technically extreme, phrasing and tone control are essential.
Sources
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Create Free AccountGuitarrock2000s
Original Gear
GuitarYamaha SG2000 (likely, based on Wu Bai's studio use in this era)
AmpMarshall JCM800 (likely, based on Wu Bai's known studio rig in 2000s)
PickupsHumbucker (Yamaha SG2000 stock humbuckers)
Amp Settings
gain6
bass6
mid7
treble6.5
reverb3
presence6
Effects & Signal Chain
modulationElectro-Harmonix Electro-Harmonix Riddle Envelope Filter
Notes
Studio recording, circa 2002-2003. Gear inferred from Wu Bai's documented studio rig and era. No direct source confirms exact gear for this solo, but Yamaha SG2000 and Marshall JCM800 are widely reported as his main studio setup for this period.
Tone Character(10)
singing sustainsmooth and fluid lead linesmid-forward presencearticulate note separationslightly compressed attackwarm upper midscontrolled feedbacktouch-sensitive responserounded highsfull-bodied crunch
Difficulty
The solo requires intermediate lead technique with expressive bends and vibrato, as well as dynamic control to interact with the envelope filter effect. While not technically extreme, phrasing and tone control are essential.
我會好好的 settings for your amp
Exact settings ToneAdapt players use on these amps.
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