Riff Tone
10:15 Saturday Night
The Cure
Guitarpunk1970s
Original Gear
Guitar1978 Fender Telecaster (likely, as used by Robert Smith on early Cure recordings)
AmpRoland JC-120 Jazz Chorus (likely, based on early Cure era and Robert Smith's known use, but not confirmed for this specific track)
PickupsFender single-coil pickups
Amp Settings
gain3.5
bass6
mid7
treble7
reverb1
presence5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1978-1979, Three Imaginary Boys album. No direct source confirms exact gear for this riff, but early Cure was known for Telecaster into Roland JC-120 or similar clean solid-state amps. No evidence of pedals or effects for the riff section.
Tone Character(10)
dry and percussiveslightly gritty edgebright and articulateminimal sustaintight, staccato rhythmlo-fi and rawclean with slight breakupno audible modulationno delay or reverbdirect, unembellished attack
Difficulty
The riff is straightforward and repetitive, requiring tight timing and a steady picking hand, but no advanced techniques or complex chord work.
Sources
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Create Free AccountGuitarpunk1970s
Original Gear
Guitar1978 Fender Telecaster (likely, as used by Robert Smith on early Cure recordings)
AmpRoland JC-120 Jazz Chorus (likely, based on early Cure era and Robert Smith's known use, but not confirmed for this specific track)
PickupsFender single-coil pickups
Amp Settings
gain3.5
bass6
mid7
treble7
reverb1
presence5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1978-1979, Three Imaginary Boys album. No direct source confirms exact gear for this riff, but early Cure was known for Telecaster into Roland JC-120 or similar clean solid-state amps. No evidence of pedals or effects for the riff section.
Tone Character(10)
dry and percussiveslightly gritty edgebright and articulateminimal sustaintight, staccato rhythmlo-fi and rawclean with slight breakupno audible modulationno delay or reverbdirect, unembellished attack
Difficulty
The riff is straightforward and repetitive, requiring tight timing and a steady picking hand, but no advanced techniques or complex chord work.
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