Solo Tone
747 (Strangers in the Night) [2009 - Remaster]
Saxon
Guitarmetal1970s
Original Gear
GuitarGibson Les Paul Standard (likely late 1970s model, as used by Graham Oliver and Paul Quinn in Saxon at the time)
AmpMarshall JMP 2203 (100W head, typical for NWOBHM era and Saxon's studio recordings in 1979)
PickupsHumbucker (likely Gibson PAF-style or T-Top humbuckers)
Amp Settings
gain7
bass6
mid7
treble7
reverb2.5
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1979 (for the original track, as the 2009 remaster is a remaster of the original). No evidence of pedal use in the solo section; amp-based overdrive/distortion. No evidence of live/touring gear or later-era amps being used on this recording.
Tone Character(10)
piercing lead tonesinging sustainaggressive and melodiccrisp distortionpowerful and drivingtight and punchyclassic British cruncharticulate high endfluid legato runscutting through the mix
Difficulty
The solo requires advanced picking and legato technique, fast position changes, and expressive phrasing typical of late 1970s/early 1980s British metal solos.
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Create Free AccountGuitarmetal1970s
Original Gear
GuitarGibson Les Paul Standard (likely late 1970s model, as used by Graham Oliver and Paul Quinn in Saxon at the time)
AmpMarshall JMP 2203 (100W head, typical for NWOBHM era and Saxon's studio recordings in 1979)
PickupsHumbucker (likely Gibson PAF-style or T-Top humbuckers)
Amp Settings
gain7
bass6
mid7
treble7
reverb2.5
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1979 (for the original track, as the 2009 remaster is a remaster of the original). No evidence of pedal use in the solo section; amp-based overdrive/distortion. No evidence of live/touring gear or later-era amps being used on this recording.
Tone Character(10)
piercing lead tonesinging sustainaggressive and melodiccrisp distortionpowerful and drivingtight and punchyclassic British cruncharticulate high endfluid legato runscutting through the mix
Difficulty
The solo requires advanced picking and legato technique, fast position changes, and expressive phrasing typical of late 1970s/early 1980s British metal solos.
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