Riff Tone
96 Quite Bitter Beings
CKY
Guitarrock1990s
Original Gear
GuitarCharvel San Dimas Style 2
AmpMarshall JCM2000 Dual Super Lead
PickupsSeymour Duncan JB (bridge humbucker), Seymour Duncan '59 (neck humbucker)
Amp Settings
gain0
bass5.5
mid5
treble7
reverb1
presence5.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1999. Gear inferred from Equipboard and era-specific interviews. No direct evidence for clean section gear, but main studio guitar and amp for 'Vol. 1' album are well-documented.
Tone Character(10)
bright and articulatetight and percussiveclear attackslightly scooped midsnot overly warmminimal ambiencefocused and dryno audible modulationno obvious compressionstudio clarity
Difficulty
The clean riff requires intermediate-level picking precision and muting to maintain clarity and tightness, but does not involve advanced techniques or high speed.
Sources
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Create Free AccountGuitarrock1990s
Original Gear
GuitarCharvel San Dimas Style 2
AmpMarshall JCM2000 Dual Super Lead
PickupsSeymour Duncan JB (bridge humbucker), Seymour Duncan '59 (neck humbucker)
Amp Settings
gain0
bass5.5
mid5
treble7
reverb1
presence5.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1999. Gear inferred from Equipboard and era-specific interviews. No direct evidence for clean section gear, but main studio guitar and amp for 'Vol. 1' album are well-documented.
Tone Character(10)
bright and articulatetight and percussiveclear attackslightly scooped midsnot overly warmminimal ambiencefocused and dryno audible modulationno obvious compressionstudio clarity
Difficulty
The clean riff requires intermediate-level picking precision and muting to maintain clarity and tightness, but does not involve advanced techniques or high speed.
96 Quite Bitter Beings settings for your amp
Exact settings ToneAdapt players use on these amps.
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