Clean Tone
Africa
Toto
Basspop1980s
Original Gear
BassMusic Man StingRay (late 1970s/early 1980s, 4-string, likely pre-EB/MM, maple neck, single humbucker)
AmpAmpeg SVT (likely blue-line or black-line, classic 1970s/early 1980s model, 8x10 cab typical for era)
PickupsSingle humbucker (bridge position, active electronics)
Amp Settings
gain0
bass6.5
mid4.5
treble6
presence5
compression7
Effects & Signal Chain
compressionUREI or dbx Studio rack compressor (likely UREI 1176 or dbx 160)
Notes
Studio recording, 1981-1982, Toto IV sessions. Bass by David Hungate. Most sources agree on Music Man StingRay + Ampeg SVT for this era and session.
Tone Character(10)
tight low endclear, percussive attackslightly scooped midsstudio-polisheddistinct note separationdeep but not boomyfast transient responsesubtle compressionno audible driveno modulation
Difficulty
The line requires tight, syncopated fingerstyle playing with precise timing and dynamic control, but does not demand advanced technical skills or speed.
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Create Free AccountBasspop1980s
Original Gear
BassMusic Man StingRay (late 1970s/early 1980s, 4-string, likely pre-EB/MM, maple neck, single humbucker)
AmpAmpeg SVT (likely blue-line or black-line, classic 1970s/early 1980s model, 8x10 cab typical for era)
PickupsSingle humbucker (bridge position, active electronics)
Amp Settings
gain0
bass6.5
mid4.5
treble6
presence5
compression7
Effects & Signal Chain
compressionUREI or dbx Studio rack compressor (likely UREI 1176 or dbx 160)
Notes
Studio recording, 1981-1982, Toto IV sessions. Bass by David Hungate. Most sources agree on Music Man StingRay + Ampeg SVT for this era and session.
Tone Character(10)
tight low endclear, percussive attackslightly scooped midsstudio-polisheddistinct note separationdeep but not boomyfast transient responsesubtle compressionno audible driveno modulation
Difficulty
The line requires tight, syncopated fingerstyle playing with precise timing and dynamic control, but does not demand advanced technical skills or speed.
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