Riff Tone
All Lips 'n' Hips
Electric Boys
Guitarrock1980s
Original Gear
GuitarGibson Les Paul Standard (likely late 70s/early 80s, as used by Conny Bloom in this era)
AmpMarshall JCM800 2203 (classic 1980s hard rock amp, most likely used in studio for this track)
PickupsHumbucker (Gibson stock, likely T-Top or similar PAF-style)
Amp Settings
gain6.5
bass6
mid7
treble7
reverb2.5
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1989. Gear inferred from period photos, interviews, and genre conventions. No direct studio documentation found for this specific track, but all evidence points to Les Paul into Marshall stack for riff. No evidence of pedals or effects for riff section.
Tone Character(10)
fat and punchytight, percussive attackmidrange-forwardopen and dynamicslight amp breakuparticulate single-note clarityharmonic overtonesnot overly saturatedclassic British crunchslight natural compression
Difficulty
The riff requires intermediate technique due to its syncopated, funky rhythm, tight palm muting, and dynamic control, but does not involve advanced lead or complex chord voicings.
Sources
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Create Free AccountGuitarrock1980s
Original Gear
GuitarGibson Les Paul Standard (likely late 70s/early 80s, as used by Conny Bloom in this era)
AmpMarshall JCM800 2203 (classic 1980s hard rock amp, most likely used in studio for this track)
PickupsHumbucker (Gibson stock, likely T-Top or similar PAF-style)
Amp Settings
gain6.5
bass6
mid7
treble7
reverb2.5
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1989. Gear inferred from period photos, interviews, and genre conventions. No direct studio documentation found for this specific track, but all evidence points to Les Paul into Marshall stack for riff. No evidence of pedals or effects for riff section.
Tone Character(10)
fat and punchytight, percussive attackmidrange-forwardopen and dynamicslight amp breakuparticulate single-note clarityharmonic overtonesnot overly saturatedclassic British crunchslight natural compression
Difficulty
The riff requires intermediate technique due to its syncopated, funky rhythm, tight palm muting, and dynamic control, but does not involve advanced lead or complex chord voicings.