Solo Tone
Astaroth
Mägo de Oz
Guitarmetal1990s
Original Gear
GuitarIbanez RG550 (likely, based on guitarist's known studio use in era)
AmpUnknown high-gain amp (likely Marshall JCM series or similar, based on genre/era and band sound)
PickupsIbanez V7 (neck), S1 (middle), V8 (bridge) humbuckers (stock or possibly DiMarzio/other aftermarket, as some sources mention 'modified pickups')
Amp Settings
gain7.5
bass6
mid5.5
treble7
reverb3
presence6
Effects & Signal Chain
overdriveUnknown Overdrive pedal (model unknown)
delayUnknown Delay pedal (model unknown)
Notes
Studio recording, original album release 1999 (Finisterra era). Guitarist Carlitos is known for using Ibanez RG models with high-output pickups in studio. No direct source confirms exact amp or pedal models for this specific song/solo.
Tone Character(10)
singing sustaintight and percussivearticulate lead linesfluid legato runsaggressive pick attackmelodic phrasingclear note separationsaturated solo toneharmonic overtonescutting through dense mix
Difficulty
The solo requires advanced speed, clean legato technique, and precise articulation, making it challenging for most intermediate players.
Create an account to adapt this tone to your gear
Create Free AccountGuitarmetal1990s
Original Gear
GuitarIbanez RG550 (likely, based on guitarist's known studio use in era)
AmpUnknown high-gain amp (likely Marshall JCM series or similar, based on genre/era and band sound)
PickupsIbanez V7 (neck), S1 (middle), V8 (bridge) humbuckers (stock or possibly DiMarzio/other aftermarket, as some sources mention 'modified pickups')
Amp Settings
gain7.5
bass6
mid5.5
treble7
reverb3
presence6
Effects & Signal Chain
overdriveUnknown Overdrive pedal (model unknown)
delayUnknown Delay pedal (model unknown)
Notes
Studio recording, original album release 1999 (Finisterra era). Guitarist Carlitos is known for using Ibanez RG models with high-output pickups in studio. No direct source confirms exact amp or pedal models for this specific song/solo.
Tone Character(10)
singing sustaintight and percussivearticulate lead linesfluid legato runsaggressive pick attackmelodic phrasingclear note separationsaturated solo toneharmonic overtonescutting through dense mix
Difficulty
The solo requires advanced speed, clean legato technique, and precise articulation, making it challenging for most intermediate players.
More Mägo de Oz tones
- Jesús de Chamberí · riff
- Aquelarre · riff
- Aquelarre · riff
- Astaroth · riff
- El Santo Grial · riff
- Fiesta Pagana · riff
- Gaia · riff
- Marcha Turca (Live) · riff
- Marcha Turca (Live) · solo
- Molinos De Viento · riff