Riff Tone
Asylum
man is five
Guitarrock2010s+
Original Gear
GuitarUnknown (not specified in any source for this song/artist/recording)
AmpUnknown (not specified in any source for this song/artist/recording)
PickupsUnknown (not specified in any source for this song/artist/recording)
Amp Settings
gain6.5
bass6
mid6
treble6.5
reverb2.5
presence6
Effects & Signal Chain
No effects used for this tone
Notes
No sources provide any information about the guitar, pickups, or amp used on the studio recording of 'Asylum' by man is five. No evidence of live vs. studio differences. No gear photos, interviews, or rig rundowns found. Year of recording not specified.
Tone Character(10)
moderate crunchbalanced EQslightly mid-forwardarticulate attacktight low endmoderate sustainclear note separationnot overly saturateddynamic responseno obvious modulation or time-based effects
Difficulty
The riff is moderately challenging due to its need for tight timing and clear articulation, but does not require advanced techniques or fast playing.
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Create Free AccountGuitarrock2010s+
Original Gear
GuitarUnknown (not specified in any source for this song/artist/recording)
AmpUnknown (not specified in any source for this song/artist/recording)
PickupsUnknown (not specified in any source for this song/artist/recording)
Amp Settings
gain6.5
bass6
mid6
treble6.5
reverb2.5
presence6
Effects & Signal Chain
No effects used for this tone
Notes
No sources provide any information about the guitar, pickups, or amp used on the studio recording of 'Asylum' by man is five. No evidence of live vs. studio differences. No gear photos, interviews, or rig rundowns found. Year of recording not specified.
Tone Character(10)
moderate crunchbalanced EQslightly mid-forwardarticulate attacktight low endmoderate sustainclear note separationnot overly saturateddynamic responseno obvious modulation or time-based effects
Difficulty
The riff is moderately challenging due to its need for tight timing and clear articulation, but does not require advanced techniques or fast playing.