Clean Tone
B.B.K.
Korn
Bassmetal1990s
Original Gear
BassIbanez Soundgear SR1305 (custom 5-string, Fieldy signature era)
AmpAmpeg SVT (classic tube head, likely SVT-CL or SVT-II Pro) with Ampeg 8x10 cab
PickupsActive soapbar humbuckers (likely AFR pickups, both on)
Amp Settings
gain0
bass5.5
mid5
treble6.5
presence5
compression5.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1998, Follow the Leader album. Fieldy is known for using his Ibanez 5-string Soundgear with active electronics and Ampeg SVT amps in this era.
Tone Character(9)
deep sub-bassextremely scooped midsbright, clicky attacktight, compressed low endpercussive slapmetallic top endvery little sustainno audible drive or fuzzdistinct string/fret rattle
Difficulty
Fieldy's clean section on 'B.B.K.' demands advanced slap technique, tight muting to control sub-bass rumble, and precise percussive articulation, making it challenging for most players.
Sources
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Create Free AccountBassmetal1990s
Original Gear
BassIbanez Soundgear SR1305 (custom 5-string, Fieldy signature era)
AmpAmpeg SVT (classic tube head, likely SVT-CL or SVT-II Pro) with Ampeg 8x10 cab
PickupsActive soapbar humbuckers (likely AFR pickups, both on)
Amp Settings
gain0
bass5.5
mid5
treble6.5
presence5
compression5.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1998, Follow the Leader album. Fieldy is known for using his Ibanez 5-string Soundgear with active electronics and Ampeg SVT amps in this era.
Tone Character(9)
deep sub-bassextremely scooped midsbright, clicky attacktight, compressed low endpercussive slapmetallic top endvery little sustainno audible drive or fuzzdistinct string/fret rattle
Difficulty
Fieldy's clean section on 'B.B.K.' demands advanced slap technique, tight muting to control sub-bass rumble, and precise percussive articulation, making it challenging for most players.
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