Riff Tone
Back In Black (Live Capital Center, Landover MD, Dec. 21, 1981)
AC/DC
Guitarrock1980s
Original Gear
GuitarGibson SG Standard (early 1970s, likely 1970-1973, with stock Gibson 'T-Top' humbucking pickups)
AmpMarshall 1959 Super Lead 100-watt head (late 1970s) into Marshall 4x12 cabinet with Celestion G12-65 speakers
PickupsGibson 'T-Top' humbucker (bridge position)
Amp Settings
gain5.5
bass6
mid6.5
treble7
reverb0
presence5.5
Effects & Signal Chain
boostSchaffer Schaffer-Vega Diversity System (wireless/boost/compander)
Notes
Live performance at Capital Center, Landover MD, Dec. 21, 1981. Angus Young used his main SG and Marshall Super Lead stack, with the Schaffer-Vega Diversity System wireless (used as a boost/compander). No pedals or additional effects confirmed for live riff section. Settings estimated from studio and live rig evidence for this era.
Tone Character(10)
crisp treble and crunchy overdrivemidrange growlthick saturated grittight, punchy responseBritish crunchdynamic and touch-sensitivepercussive attackclear note separationaggressive but not high-gainraw and uncompressed
Difficulty
The riff requires tight timing, dynamic control, and precise muting to achieve the iconic punch and groove, but does not involve advanced lead techniques or fast runs.
Sources
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Create Free AccountGuitarrock1980s
Original Gear
GuitarGibson SG Standard (early 1970s, likely 1970-1973, with stock Gibson 'T-Top' humbucking pickups)
AmpMarshall 1959 Super Lead 100-watt head (late 1970s) into Marshall 4x12 cabinet with Celestion G12-65 speakers
PickupsGibson 'T-Top' humbucker (bridge position)
Amp Settings
gain5.5
bass6
mid6.5
treble7
reverb0
presence5.5
Effects & Signal Chain
boostSchaffer Schaffer-Vega Diversity System (wireless/boost/compander)
Notes
Live performance at Capital Center, Landover MD, Dec. 21, 1981. Angus Young used his main SG and Marshall Super Lead stack, with the Schaffer-Vega Diversity System wireless (used as a boost/compander). No pedals or additional effects confirmed for live riff section. Settings estimated from studio and live rig evidence for this era.
Tone Character(10)
crisp treble and crunchy overdrivemidrange growlthick saturated grittight, punchy responseBritish crunchdynamic and touch-sensitivepercussive attackclear note separationaggressive but not high-gainraw and uncompressed
Difficulty
The riff requires tight timing, dynamic control, and precise muting to achieve the iconic punch and groove, but does not involve advanced lead techniques or fast runs.
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