Clean Tone
Bad
Michael Jackson
Basspop1980s
Original Gear
BassYamaha BB3000 (Nathan East signature, likely used on 'Bad')
AmpLikely direct (DI) with possible Yamaha or Ampeg studio preamp; no confirmed amp for this track
PickupsP/J (split-coil Precision + single-coil Jazz, both active)
Amp Settings
gain0
bass6
mid4.5
treble6
presence5
compression8
Effects & Signal Chain
compressionDBX DBX 160 Compressor
Notes
Studio recording, 1986-1987, Nathan East on bass for 'Bad' album sessions; most MJ bass in this era tracked DI with minimal amp coloration
Tone Character(9)
tight low endclear upper midssnappy attackeven, controlled dynamicsstudio-polishedslightly scooped midspop/funk clarityfast transient responseno audible drive or grit
Difficulty
The bass line is rhythmically syncopated and requires tight, consistent fingerstyle playing with precise dynamic control, but does not involve advanced techniques or fast runs.
Sources
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Create Free AccountBasspop1980s
Original Gear
BassYamaha BB3000 (Nathan East signature, likely used on 'Bad')
AmpLikely direct (DI) with possible Yamaha or Ampeg studio preamp; no confirmed amp for this track
PickupsP/J (split-coil Precision + single-coil Jazz, both active)
Amp Settings
gain0
bass6
mid4.5
treble6
presence5
compression8
Effects & Signal Chain
compressionDBX DBX 160 Compressor
Notes
Studio recording, 1986-1987, Nathan East on bass for 'Bad' album sessions; most MJ bass in this era tracked DI with minimal amp coloration
Tone Character(9)
tight low endclear upper midssnappy attackeven, controlled dynamicsstudio-polishedslightly scooped midspop/funk clarityfast transient responseno audible drive or grit
Difficulty
The bass line is rhythmically syncopated and requires tight, consistent fingerstyle playing with precise dynamic control, but does not involve advanced techniques or fast runs.
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