Solo Tone
Bad Romance
Halestorm
Guitarrock2010s+
Original Gear
GuitarGibson Explorer (Lzzy Hale Signature likely, as used by Lzzy Hale in this era)
AmpMarshall 1960BX cabinet (likely paired with Marshall head, model not specified, but EL84 tubes suggest Marshall DSL or similar)
PickupsGibson 57 Classic Humbuckers
Amp Settings
gain7
bass6
mid6.5
treble7
reverb2.5
presence6
Effects & Signal Chain
delayBoss Boss DM-2W Waza Craft Delay
delayStrymon Strymon Timeline
Notes
Studio recording, 2010s era. Gear inferred from Premier Guitar rig rundown and typical Halestorm studio setup. No explicit confirmation for this exact solo, but Explorer + Marshall stack is standard for Lzzy Hale in this period.
Tone Character(10)
singing sustaintight and articulate lead linesaggressive attackmodern rock solo toneclear note separationcrisp high endpunchy midsharmonic overtonesslight delay tailfocused, saturated sound
Difficulty
The solo requires intermediate to advanced lead technique, including fast picking, expressive bends, and control over phrasing with delay, but does not reach shred-level complexity.
This tone has been researched 2 times by the community
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Original Gear
GuitarGibson Explorer (Lzzy Hale Signature likely, as used by Lzzy Hale in this era)
AmpMarshall 1960BX cabinet (likely paired with Marshall head, model not specified, but EL84 tubes suggest Marshall DSL or similar)
PickupsGibson 57 Classic Humbuckers
Amp Settings
gain7
bass6
mid6.5
treble7
reverb2.5
presence6
Effects & Signal Chain
delayBoss Boss DM-2W Waza Craft Delay
delayStrymon Strymon Timeline
This tone has been researched 2 times by the community
Notes
Studio recording, 2010s era. Gear inferred from Premier Guitar rig rundown and typical Halestorm studio setup. No explicit confirmation for this exact solo, but Explorer + Marshall stack is standard for Lzzy Hale in this period.
Tone Character(10)
singing sustaintight and articulate lead linesaggressive attackmodern rock solo toneclear note separationcrisp high endpunchy midsharmonic overtonesslight delay tailfocused, saturated sound
Difficulty
The solo requires intermediate to advanced lead technique, including fast picking, expressive bends, and control over phrasing with delay, but does not reach shred-level complexity.
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