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Riff Tone

Behind the Crooked Cross

Slayer

Guitarmetal1980s

Original Gear

GuitarBC Rich Warlock (Kerry King signature, EMG 81 bridge pickup, likely used on South of Heaven album)
AmpMarshall JCM800 2203 (Kerry King's original 'The Beast', used in studio for South of Heaven era)
PickupsEMG 81 active humbucker (bridge position)

Amp Settings

gain8.5
bass5
mid5.5
treble7
reverb0
presence6.5

Effects & Signal Chain

No effects used for this tone

Notes

Studio recording, 1987-1988, South of Heaven album. Settings and gear based on period-correct interviews and rig rundowns. No evidence of pedals in the riff section; distortion from amp and active pickups.

Tone Character(10)
tight and percussiveaggressive palm mutinghigh-gain saturationscooped but present midsrazor-sharp attackcrushing low endclear note separationfocused and dryminimal ambienceclassic thrash metal rhythm

Difficulty

The riff requires fast, tight alternate picking with aggressive palm muting and precise rhythm, demanding advanced right-hand technique and stamina typical of thrash metal.

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