Solo Tone
Beleza Pula
Masayoshi Takanaka
Guitarjazz1980s
Original Gear
GuitarYamaha SG-2000
AmpRoland JC-120 Jazz Chorus
PickupsYamaha Alnico humbuckers
Amp Settings
gain3.5
bass6.5
mid6.5
treble7
reverb5.5
presence6
Effects & Signal Chain
chorusUnknown Chorus pedal (model unknown)
delayUnknown Delay pedal (model unknown)
Notes
Studio recording, original release 1982. No direct evidence for pedals or amp settings for this specific solo, but Yamaha SG-2000 and Roland JC-120 are strongly associated with Takanaka's early 1980s studio work. No evidence of live rig for this recording.
Tone Character(10)
full and lushsinging sustainwarm and expressiveslightly compressedclear note separationsmooth lead tonedynamic swellstouch-sensitiverich harmonic contentnot heavily saturated
Difficulty
The solo requires advanced phrasing, expressive bends, and precise control of dynamics, as well as sensitivity to modulation and time-based effects for authentic tone.
Sources
This tone has been researched 2 times by the community
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Create Free AccountGuitarjazz1980s
Original Gear
GuitarYamaha SG-2000
AmpRoland JC-120 Jazz Chorus
PickupsYamaha Alnico humbuckers
Amp Settings
gain3.5
bass6.5
mid6.5
treble7
reverb5.5
presence6
Effects & Signal Chain
chorusUnknown Chorus pedal (model unknown)
delayUnknown Delay pedal (model unknown)
This tone has been researched 2 times by the community
Notes
Studio recording, original release 1982. No direct evidence for pedals or amp settings for this specific solo, but Yamaha SG-2000 and Roland JC-120 are strongly associated with Takanaka's early 1980s studio work. No evidence of live rig for this recording.
Tone Character(10)
full and lushsinging sustainwarm and expressiveslightly compressedclear note separationsmooth lead tonedynamic swellstouch-sensitiverich harmonic contentnot heavily saturated
Difficulty
The solo requires advanced phrasing, expressive bends, and precise control of dynamics, as well as sensitivity to modulation and time-based effects for authentic tone.
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