Riff Tone
Believer
Ozzy Osbourne
Guitarmetal1980s
Original Gear
Guitar1974 Gibson Les Paul Custom
AmpMarshall 1959 Super Lead 100W (modded, late 1970s/early 1980s)
PickupsSeymour Duncan Distortion (bridge), stock Gibson humbucker (neck)
Amp Settings
gain7
bass6
mid6.5
treble7
reverb1.5
presence6.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1981. Gear confirmed for Diary of a Madman sessions. Randy Rhoads used his white Les Paul Custom for the main riff. No evidence of live/tour substitutions for the studio version.
Tone Character(10)
tight and percussiveaggressive high-gain rhythmarticulate attacksaturated British crunchfocused midrangeclear note separationslightly scooped but not hollowharmonic overtonescontrolled feedbackpunchy low end
Difficulty
The main riff requires tight palm muting, fast alternate picking, and precise timing, making it moderately challenging for intermediate players.
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Create Free AccountGuitarmetal1980s
Original Gear
Guitar1974 Gibson Les Paul Custom
AmpMarshall 1959 Super Lead 100W (modded, late 1970s/early 1980s)
PickupsSeymour Duncan Distortion (bridge), stock Gibson humbucker (neck)
Amp Settings
gain7
bass6
mid6.5
treble7
reverb1.5
presence6.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1981. Gear confirmed for Diary of a Madman sessions. Randy Rhoads used his white Les Paul Custom for the main riff. No evidence of live/tour substitutions for the studio version.
Tone Character(10)
tight and percussiveaggressive high-gain rhythmarticulate attacksaturated British crunchfocused midrangeclear note separationslightly scooped but not hollowharmonic overtonescontrolled feedbackpunchy low end
Difficulty
The main riff requires tight palm muting, fast alternate picking, and precise timing, making it moderately challenging for intermediate players.
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