Riff Tone
Big Black Car
Gregory Alan Isakov
Guitarother2000s
Original Gear
GuitarGibson J-50 Jumbo
AmpUnknown (likely direct mic or studio preamp, no evidence of electric guitar amp used)
PickupsGibson J-50 stock acoustic (undersaddle piezo or mic, not magnetic electric pickups)
Amp Settings
gain0
bass6
mid6
treble6.5
reverb3.5
presence5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 2009, This Empty Northern Hemisphere album. All available evidence and listening indicate a mic'd acoustic guitar, not an electric guitar or amp. No evidence of pedals or amp effects used in the riff section.
Tone Character(10)
warm and naturalwoody resonanceintimate and close-mic'dclear fingerpicked articulationgentle dynamic responseno audible compression or effectsorganic and unprocessedsoft, rounded highsbalanced midrangesubtle low-end presence
Difficulty
The riff requires intermediate fingerstyle technique, precise timing in a swung 6/8 meter, and dynamic control for a soft, expressive acoustic sound.
Sources
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Create Free AccountGuitarother2000s
Original Gear
GuitarGibson J-50 Jumbo
AmpUnknown (likely direct mic or studio preamp, no evidence of electric guitar amp used)
PickupsGibson J-50 stock acoustic (undersaddle piezo or mic, not magnetic electric pickups)
Amp Settings
gain0
bass6
mid6
treble6.5
reverb3.5
presence5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 2009, This Empty Northern Hemisphere album. All available evidence and listening indicate a mic'd acoustic guitar, not an electric guitar or amp. No evidence of pedals or amp effects used in the riff section.
Tone Character(10)
warm and naturalwoody resonanceintimate and close-mic'dclear fingerpicked articulationgentle dynamic responseno audible compression or effectsorganic and unprocessedsoft, rounded highsbalanced midrangesubtle low-end presence
Difficulty
The riff requires intermediate fingerstyle technique, precise timing in a swung 6/8 meter, and dynamic control for a soft, expressive acoustic sound.