Riff Tone
Biska 2 (Instrumental)
Smak
Guitarrock1970s
Original Gear
GuitarGibson SG Standard (likely 1970s, as used by Radomir Mihajlović 'Točak' in Smak's classic era)
AmpMarshall JMP 50 (1970s, likely 1987 model, classic for Yugoslav rock of this era)
PickupsGibson humbuckers (stock, 1970s SG Standard)
Amp Settings
gain5.5
bass6
mid7
treble6.5
reverb2
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, original 1970s release. No direct evidence of pedals or effects in sources. Gear inferred from era, genre, and known band/artist rig for this song/album. No evidence of live-specific gear. No pedalboard or effects photos for this session found.
Tone Character(10)
classic British crunchwarm and dynamicopen midrangeclear note separationslight breakup on strong pickingarticulate attackvintage rock characterresponsive to picking dynamicsnot heavily saturatedtight but not compressed
Difficulty
The riff requires intermediate control of picking dynamics and syncopated rhythm, with open chords and muting for articulation. Not technically advanced, but demands tight timing and dynamic sensitivity for the classic rock crunch.
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Original Gear
GuitarGibson SG Standard (likely 1970s, as used by Radomir Mihajlović 'Točak' in Smak's classic era)
AmpMarshall JMP 50 (1970s, likely 1987 model, classic for Yugoslav rock of this era)
PickupsGibson humbuckers (stock, 1970s SG Standard)
Amp Settings
gain5.5
bass6
mid7
treble6.5
reverb2
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, original 1970s release. No direct evidence of pedals or effects in sources. Gear inferred from era, genre, and known band/artist rig for this song/album. No evidence of live-specific gear. No pedalboard or effects photos for this session found.
Tone Character(10)
classic British crunchwarm and dynamicopen midrangeclear note separationslight breakup on strong pickingarticulate attackvintage rock characterresponsive to picking dynamicsnot heavily saturatedtight but not compressed
Difficulty
The riff requires intermediate control of picking dynamics and syncopated rhythm, with open chords and muting for articulation. Not technically advanced, but demands tight timing and dynamic sensitivity for the classic rock crunch.