Riff Tone
Blacken the Cursed Sun
Lamb of God
Guitarmetal2000s
Original Gear
GuitarJackson Dominion (Mark Morton signature) or ESP Eclipse (Willie Adler signature), both with bridge humbucker
AmpMesa/Boogie Mark IV (studio recording era), Mesa/Boogie Dual Rectifier (possible alternative)
PickupsHigh-output humbucker (likely Seymour Duncan JB or EMG 81/85, depending on guitarist)
Amp Settings
gain7.5
bass5
mid4
treble6.5
reverb0
presence6.5
Effects & Signal Chain
boostIbanez or Maxon Ibanez TS9 Tube Screamer or Maxon OD808
noise_gateISP or Unknown Noise gate (ISP Decimator or similar)
Notes
Studio recording for 'Sacrament' album (2006). Both Mark Morton and Willie Adler used their signature guitars with high-output bridge humbuckers. Mesa/Boogie Mark IV is the primary studio amp for this era. Settings and pedal use are based on studio practices, not live rigs.
Tone Character(10)
tight and percussiveaggressive palm mutingscooped midshigh-gain saturationcutting high endcontrolled low endarticulate attackdry, immediate responseminimal ambienceheavy, modern metal clarity
Difficulty
The riff section requires tight, aggressive palm muting at high speed, with precise alternate picking and complex rhythmic patterns typical of modern metal.
Sources
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Create Free AccountGuitarmetal2000s
Original Gear
GuitarJackson Dominion (Mark Morton signature) or ESP Eclipse (Willie Adler signature), both with bridge humbucker
AmpMesa/Boogie Mark IV (studio recording era), Mesa/Boogie Dual Rectifier (possible alternative)
PickupsHigh-output humbucker (likely Seymour Duncan JB or EMG 81/85, depending on guitarist)
Amp Settings
gain7.5
bass5
mid4
treble6.5
reverb0
presence6.5
Effects & Signal Chain
boostIbanez or Maxon Ibanez TS9 Tube Screamer or Maxon OD808
noise_gateISP or Unknown Noise gate (ISP Decimator or similar)
Notes
Studio recording for 'Sacrament' album (2006). Both Mark Morton and Willie Adler used their signature guitars with high-output bridge humbuckers. Mesa/Boogie Mark IV is the primary studio amp for this era. Settings and pedal use are based on studio practices, not live rigs.
Tone Character(10)
tight and percussiveaggressive palm mutingscooped midshigh-gain saturationcutting high endcontrolled low endarticulate attackdry, immediate responseminimal ambienceheavy, modern metal clarity
Difficulty
The riff section requires tight, aggressive palm muting at high speed, with precise alternate picking and complex rhythmic patterns typical of modern metal.
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