Riff Tone
Blood On My Love
Ryan Perdz
Guitarmetal2010s+
Original Gear
GuitarUnknown (no direct source for exact model on this recording)
AmpUnknown (no direct source for amp model on this recording)
PickupsUnknown (likely humbuckers or P90s based on genre, but not confirmed)
Amp Settings
gain8.5
bass7
mid4
treble5
reverb2.5
presence6
Effects & Signal Chain
distortionBoss Boss DS-1 Distortion
Notes
No direct evidence for exact guitar or amp used on the studio recording of 'Blood On My Love' riff. No official rig rundown, pedalboard photo, or interview found. All gear details below are inferred from genre, era, and typical sludge/stoner rock setups. Studio recording, released 2010s+.
Tone Character(10)
thick and saturateddark and murkymassive low endscooped midsfuzzy and compressedwarm neck pickup characterrolled-off highssustained feedbackaggressive riff attacksludge/doom heaviness
Difficulty
The riff requires tight rhythm playing with heavy distortion, palm muting, and control of feedback and noise, but does not involve advanced lead techniques or complex chord voicings.
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Create Free AccountGuitarmetal2010s+
Original Gear
GuitarUnknown (no direct source for exact model on this recording)
AmpUnknown (no direct source for amp model on this recording)
PickupsUnknown (likely humbuckers or P90s based on genre, but not confirmed)
Amp Settings
gain8.5
bass7
mid4
treble5
reverb2.5
presence6
Effects & Signal Chain
distortionBoss Boss DS-1 Distortion
Notes
No direct evidence for exact guitar or amp used on the studio recording of 'Blood On My Love' riff. No official rig rundown, pedalboard photo, or interview found. All gear details below are inferred from genre, era, and typical sludge/stoner rock setups. Studio recording, released 2010s+.
Tone Character(10)
thick and saturateddark and murkymassive low endscooped midsfuzzy and compressedwarm neck pickup characterrolled-off highssustained feedbackaggressive riff attacksludge/doom heaviness
Difficulty
The riff requires tight rhythm playing with heavy distortion, palm muting, and control of feedback and noise, but does not involve advanced lead techniques or complex chord voicings.