Solo Tone
Born to Kill
Social Distortion
Guitarpunk1990s
Original Gear
Guitar1968 Gibson Les Paul Goldtop
AmpMarshall JCM800 2203
PickupsP-90 single coil
Amp Settings
gain6.5
bass6
mid7
treble6.5
reverb2
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1996. Guitar and amp confirmed for 'White Light, White Heat, White Trash' era. No direct evidence of pedals or effects for this solo, but amp and guitar are well-documented for this album and era.
Tone Character(10)
thick and mid-forwardbiting upper midspunchy and articulateslightly gritty edgesinging sustaindynamic pick attackvintage P-90 claritytouch of natural amp reverbopen and rawclassic punk crunch
Difficulty
The solo requires solid alternate picking, expressive bends, and dynamic phrasing typical of punk/rock solos, but does not involve advanced techniques or high speed.
Sources
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Create Free AccountGuitarpunk1990s
Original Gear
Guitar1968 Gibson Les Paul Goldtop
AmpMarshall JCM800 2203
PickupsP-90 single coil
Amp Settings
gain6.5
bass6
mid7
treble6.5
reverb2
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1996. Guitar and amp confirmed for 'White Light, White Heat, White Trash' era. No direct evidence of pedals or effects for this solo, but amp and guitar are well-documented for this album and era.
Tone Character(10)
thick and mid-forwardbiting upper midspunchy and articulateslightly gritty edgesinging sustaindynamic pick attackvintage P-90 claritytouch of natural amp reverbopen and rawclassic punk crunch
Difficulty
The solo requires solid alternate picking, expressive bends, and dynamic phrasing typical of punk/rock solos, but does not involve advanced techniques or high speed.
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- Don't Drag Me Down · solo
- Don't Drag Me Down · riff