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Riff Tone

Breaking the Law

Judas Priest

Guitarmetal1980s

Original Gear

GuitarGibson Flying V (K.K. Downing) or Gibson SG (Glenn Tipton)
AmpMarshall JCM800 1959 Mk II Super Lead (100W, 4-input, non-master volume head)
PickupsEMG 81 Active Ceramic Humbucker (K.K. Downing) or likely stock humbuckers (Tipton, possibly DiMarzio Super Distortion in SG at the time)

Amp Settings

gain7
bass5.5
mid7
treble7
reverb0
presence6.5

Effects & Signal Chain

No effects used for this tone

Notes

Studio recording, 1980, British Steel album. Both Downing and Tipton used Marshall Super Leads. EMG 81 confirmed for Downing's Flying V by 2004, but likely not present on the original 1980 recording; more likely standard humbuckers for both. No evidence of pedals or effects used for the riff section; tone is amp-driven. Settings estimated based on era, amp, and genre. No evidence of effects loop or studio effects on the rhythm/riff section.

Tone Character(10)
tight and percussiveaggressive British crunchfocused midrange puncharticulate pick attackdry, in-your-face rhythmminimal ambienceclassic Marshall saturationmetallic, cutting edgeno audible modulation or delaypalm-muted chug

Difficulty

The riff is iconic but technically straightforward, relying on tight palm muting and rhythmic precision rather than complex technique or speed.

This tone has been researched 9 times by the community

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Breaking the Law settings for your amp

Exact settings ToneAdapt players use on these amps.

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