Solo Tone
Bright Eyes
Blind Guardian
Guitarmetal1990s
Original Gear
GuitarESP Horizon Custom (likely 1990s model, as used by André Olbrich in studio)
AmpMesa/Boogie Triple Rectifier 150W Solo Head
PickupsEMG 81 (bridge, active humbucker)
Amp Settings
gain8
bass6
mid5.5
treble7
reverb2
presence6.5
Effects & Signal Chain
wahDunlop Dunlop Cry Baby Wah (likely 535Q model)
delayUnknown Delay pedal (model unknown, likely rack or studio digital delay)
Notes
Studio recording, 1997 (Nightfall in Middle-Earth sessions). Gear confirmed for era and player; Olbrich is known for using ESP Horizon with EMG 81 and Mesa/Boogie Triple Rectifier for solos on this album. No evidence of live/tour rig or alternate guitars for this solo.
Tone Character(10)
singing sustaintight and percussivehigh-gain saturationarticulate lead linescutting upper midssmooth legato runsfast alternate picking clarityaggressive pick attacklush harmonicsmelodic phrasing
Difficulty
The solo features fast alternate picking, expressive wah pedal use, and melodic phrasing with legato and bends, requiring advanced technique and timing.
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Create Free AccountGuitarmetal1990s
Original Gear
GuitarESP Horizon Custom (likely 1990s model, as used by André Olbrich in studio)
AmpMesa/Boogie Triple Rectifier 150W Solo Head
PickupsEMG 81 (bridge, active humbucker)
Amp Settings
gain8
bass6
mid5.5
treble7
reverb2
presence6.5
Effects & Signal Chain
wahDunlop Dunlop Cry Baby Wah (likely 535Q model)
delayUnknown Delay pedal (model unknown, likely rack or studio digital delay)
Notes
Studio recording, 1997 (Nightfall in Middle-Earth sessions). Gear confirmed for era and player; Olbrich is known for using ESP Horizon with EMG 81 and Mesa/Boogie Triple Rectifier for solos on this album. No evidence of live/tour rig or alternate guitars for this solo.
Tone Character(10)
singing sustaintight and percussivehigh-gain saturationarticulate lead linescutting upper midssmooth legato runsfast alternate picking clarityaggressive pick attacklush harmonicsmelodic phrasing
Difficulty
The solo features fast alternate picking, expressive wah pedal use, and melodic phrasing with legato and bends, requiring advanced technique and timing.
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