Riff Tone
Burning of the Midnight Lamp
The Jimi Hendrix Experience
Guitarrock1960s
Original Gear
GuitarFender Stratocaster (mid-60s, likely white, as used by Hendrix in 1967 studio sessions)
AmpMarshall Super 100 JTM45/100 (plexi head, 4x12 cab), possibly Fender Dual Showman (less likely for this track, but mentioned as used in 1968)
PickupsFender single-coil Stratocaster pickups
Amp Settings
gain5.5
bass6
mid7
treble7
reverb2
presence6
Effects & Signal Chain
wahUnknown Wah pedal (model unknown, likely Vox Clyde McCoy or Arbiter Eng. Wah)
Notes
Studio recording, 1967, 'Burning of the Midnight Lamp' riff section. Hendrix almost exclusively used Stratocasters in studio for this era; Marshall Super 100 plexi is the most documented studio amp for this period. Wah pedal is clearly audible on the riff. No evidence of fuzz or other pedals for the riff section.
Tone Character(10)
pronounced wah-wah sweepcrunchy British amp overdrivebright and biting attackclear single-coil articulationdynamic and expressivemid-forward with slight scoopvintage analog warmthpercussive and rhythmicnot heavily saturatedmodulated filter effect
Difficulty
The riff requires tight coordination between picking hand and wah pedal, with precise timing and muting to maintain clarity and groove, making it challenging for most players.
Sources
Create an account to adapt this tone to your gear
Create Free AccountGuitarrock1960s
Original Gear
GuitarFender Stratocaster (mid-60s, likely white, as used by Hendrix in 1967 studio sessions)
AmpMarshall Super 100 JTM45/100 (plexi head, 4x12 cab), possibly Fender Dual Showman (less likely for this track, but mentioned as used in 1968)
PickupsFender single-coil Stratocaster pickups
Amp Settings
gain5.5
bass6
mid7
treble7
reverb2
presence6
Effects & Signal Chain
wahUnknown Wah pedal (model unknown, likely Vox Clyde McCoy or Arbiter Eng. Wah)
Notes
Studio recording, 1967, 'Burning of the Midnight Lamp' riff section. Hendrix almost exclusively used Stratocasters in studio for this era; Marshall Super 100 plexi is the most documented studio amp for this period. Wah pedal is clearly audible on the riff. No evidence of fuzz or other pedals for the riff section.
Tone Character(10)
pronounced wah-wah sweepcrunchy British amp overdrivebright and biting attackclear single-coil articulationdynamic and expressivemid-forward with slight scoopvintage analog warmthpercussive and rhythmicnot heavily saturatedmodulated filter effect
Difficulty
The riff requires tight coordination between picking hand and wah pedal, with precise timing and muting to maintain clarity and groove, making it challenging for most players.
More The Jimi Hendrix Experience tones
- Voodoo Child (Slight Return) · riff
- Little Wing · riff
- Purple Haze · riff
- All Along the Watchtower · solo
- All Along the Watchtower · riff
- Little Wing · riff
- Little Wing · solo
- Voodoo Child (Slight Return) · solo
- Hey Joe · riff
- The Wind Cries Mary · riff