Solo Tone
Careless Whisper
Seether
Guitarrock2000s
Original Gear
GuitarSchecter C-1 Classic (likely, based on Seether's studio gear for this era)
AmpMesa/Boogie Dual Rectifier (likely, based on Seether's studio amp choices in the 2000s)
PickupsSeymour Duncan JB (bridge humbucker), SH-1 '59 (neck humbucker)
Amp Settings
gain7.5
bass6
mid5.5
treble6.5
reverb2
presence6
Effects & Signal Chain
delayUnknown Delay pedal (model unknown)
reverbUnknown Reverb pedal or amp reverb (model unknown)
Notes
Studio recording, 2009 (Finding Beauty in Negative Spaces deluxe edition). No direct source confirms exact gear for this solo, but Seether's studio rig from this era is well-documented in interviews and live photos. No evidence of alternate guitars or amps for this specific solo.
Tone Character(10)
singing sustainsmooth legato linestight and saturated lead tonecompressed sustainarticulate pick attackmodern rock leadslightly scooped midsclear note separationthick, harmonically richhigh-output bridge pickup sound
Difficulty
The solo requires intermediate technique with smooth legato, accurate bends, and timing to match delay repeats, but does not reach advanced shred complexity.
Sources
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Original Gear
GuitarSchecter C-1 Classic (likely, based on Seether's studio gear for this era)
AmpMesa/Boogie Dual Rectifier (likely, based on Seether's studio amp choices in the 2000s)
PickupsSeymour Duncan JB (bridge humbucker), SH-1 '59 (neck humbucker)
Amp Settings
gain7.5
bass6
mid5.5
treble6.5
reverb2
presence6
Effects & Signal Chain
delayUnknown Delay pedal (model unknown)
reverbUnknown Reverb pedal or amp reverb (model unknown)
Notes
Studio recording, 2009 (Finding Beauty in Negative Spaces deluxe edition). No direct source confirms exact gear for this solo, but Seether's studio rig from this era is well-documented in interviews and live photos. No evidence of alternate guitars or amps for this specific solo.
Tone Character(10)
singing sustainsmooth legato linestight and saturated lead tonecompressed sustainarticulate pick attackmodern rock leadslightly scooped midsclear note separationthick, harmonically richhigh-output bridge pickup sound
Difficulty
The solo requires intermediate technique with smooth legato, accurate bends, and timing to match delay repeats, but does not reach advanced shred complexity.
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