Riff Tone
Cemetery
Silverchair
Guitarrock1990s
Original Gear
GuitarGibson Les Paul Standard (early 90s, likely studio use)
AmpMarshall JCM900 4100 amplifier head
PickupsGibson humbuckers (stock, passive, likely 490R/498T or similar)
Amp Settings
gain0
bass6
mid6
treble6.5
reverb2
presence5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1996-1997 (Freak Show album sessions). No direct evidence for alternate guitars or amps on this specific clean section; inferred from era and Daniel Johns' known studio rig for this album. No evidence of alternate pickup swaps or single-coil use.
Tone Character(10)
warm and roundedchiming and articulateslightly compressedsubtle amp reverb for spacefull-bodied midsclear note separationgentle attacknot brittle or harshno audible breakupstudio clarity
Difficulty
The clean riff requires careful picking and dynamic control to maintain clarity and avoid unwanted noise, but does not involve advanced techniques or fast passages.
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Create Free AccountGuitarrock1990s
Original Gear
GuitarGibson Les Paul Standard (early 90s, likely studio use)
AmpMarshall JCM900 4100 amplifier head
PickupsGibson humbuckers (stock, passive, likely 490R/498T or similar)
Amp Settings
gain0
bass6
mid6
treble6.5
reverb2
presence5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1996-1997 (Freak Show album sessions). No direct evidence for alternate guitars or amps on this specific clean section; inferred from era and Daniel Johns' known studio rig for this album. No evidence of alternate pickup swaps or single-coil use.
Tone Character(10)
warm and roundedchiming and articulateslightly compressedsubtle amp reverb for spacefull-bodied midsclear note separationgentle attacknot brittle or harshno audible breakupstudio clarity
Difficulty
The clean riff requires careful picking and dynamic control to maintain clarity and avoid unwanted noise, but does not involve advanced techniques or fast passages.
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