Riff Tone
Chaise Longue
Wet Leg
Guitarrock2010s+
Original Gear
GuitarDanelectro U2
AmpFender '68 Custom Pro Reverb
PickupsDanelectro Lipstick single-coils
Amp Settings
gain5
bass5.5
mid6.5
treble7
reverb2.5
presence6
Effects & Signal Chain
fuzzKeeley Keeley Loomer
overdriveElectro-Harmonix Electro-Harmonix Soul Food
Notes
Studio recording, 2021. Guitarist Hester Chambers confirmed use of Danelectro U2 and Fender '68 Custom Pro Reverb for the studio recording of 'Chaise Longue' riff. Pedals confirmed from direct interview and pedalboard photos. No evidence of live rig or alternate guitars for the studio riff section.
Tone Character(10)
fuzzy and scratchyraw and lo-fimidrange punchtight and percussivegarage rock bitearticulate single notesslightly compressednot overly saturateddistinct fuzz texturechoppy rhythm attack
Difficulty
The riff is rhythmically straightforward but requires consistent fast downstrokes and control over a fuzzy, noisy tone, making it easy to play but requiring attention to timing and muting.
Sources
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Create Free AccountGuitarrock2010s+
Original Gear
GuitarDanelectro U2
AmpFender '68 Custom Pro Reverb
PickupsDanelectro Lipstick single-coils
Amp Settings
gain5
bass5.5
mid6.5
treble7
reverb2.5
presence6
Effects & Signal Chain
fuzzKeeley Keeley Loomer
overdriveElectro-Harmonix Electro-Harmonix Soul Food
Notes
Studio recording, 2021. Guitarist Hester Chambers confirmed use of Danelectro U2 and Fender '68 Custom Pro Reverb for the studio recording of 'Chaise Longue' riff. Pedals confirmed from direct interview and pedalboard photos. No evidence of live rig or alternate guitars for the studio riff section.
Tone Character(10)
fuzzy and scratchyraw and lo-fimidrange punchtight and percussivegarage rock bitearticulate single notesslightly compressednot overly saturateddistinct fuzz texturechoppy rhythm attack
Difficulty
The riff is rhythmically straightforward but requires consistent fast downstrokes and control over a fuzzy, noisy tone, making it easy to play but requiring attention to timing and muting.