Riff Tone
Come to the Cross
Michael W. Smith
Guitarother1990s
Original Gear
GuitarUnknown (no evidence for specific model on this recording)
AmpUnknown (no evidence for specific model on this recording)
PickupsUnknown (no evidence for specific type/model on this recording)
Amp Settings
gain4.5
bass6
mid6.5
treble6.5
reverb3.5
presence5.5
Effects & Signal Chain
No effects used for this tone
Notes
No direct sources confirm the exact guitar, pickups, or amp used on the studio recording of 'Come to the Cross' riff section. No official rig rundown, interview, or studio notes found. All gear details are unknown for this specific recording and section.
Tone Character(10)
clear and articulateslightly compressededge-of-breakup cleanmoderate warmthnot overly brightsubtle reverb ambiencetight low endpresent midsno heavy distortionno pronounced modulation
Difficulty
The riff section is straightforward, requiring clean playing and moderate timing, but no advanced techniques or complex rhythms.
Sources
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Create Free AccountGuitarother1990s
Original Gear
GuitarUnknown (no evidence for specific model on this recording)
AmpUnknown (no evidence for specific model on this recording)
PickupsUnknown (no evidence for specific type/model on this recording)
Amp Settings
gain4.5
bass6
mid6.5
treble6.5
reverb3.5
presence5.5
Effects & Signal Chain
No effects used for this tone
Notes
No direct sources confirm the exact guitar, pickups, or amp used on the studio recording of 'Come to the Cross' riff section. No official rig rundown, interview, or studio notes found. All gear details are unknown for this specific recording and section.
Tone Character(10)
clear and articulateslightly compressededge-of-breakup cleanmoderate warmthnot overly brightsubtle reverb ambiencetight low endpresent midsno heavy distortionno pronounced modulation
Difficulty
The riff section is straightforward, requiring clean playing and moderate timing, but no advanced techniques or complex rhythms.