Riff Tone
Come Together
Gary Clark Jr. & Junkie XL
Guitarrock2010s+
Original Gear
GuitarEpiphone Casino (mid-1960s, likely red with Bigsby, as per Clark's typical studio use in this era)
AmpFender Vibro-King 20th Anniversary combo (3x10" Jensen P-10R-F speakers)
PickupsEpiphone P90 single-coil pickups
Amp Settings
gain6.5
bass4.5
mid6
treble6
reverb2
presence5.5
Effects & Signal Chain
fuzzAnalog Man Analog Man Astro Tone Fuzz
overdriveAnalog Man Analog Man King of Tone Overdrive
Notes
Studio recording for 'Come Together' (2017, Justice League soundtrack). Gear confirmed for Clark's studio work in this era; no evidence of live rig or alternate guitars/amps for this specific track.
Tone Character(10)
heavy, saturated fuzzrich midrangesmooth trebletight, focused low endaggressive attackcrackling, overdriven amp characterindustrial, raw edgethick, sustaining power chordstouch-sensitive dynamicsslightly compressed, punchy
Difficulty
The riff requires tight rhythmic accuracy and control over a saturated, noisy fuzz/overdrive tone, but does not involve advanced lead techniques or complex chord voicings.
Sources
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Original Gear
GuitarEpiphone Casino (mid-1960s, likely red with Bigsby, as per Clark's typical studio use in this era)
AmpFender Vibro-King 20th Anniversary combo (3x10" Jensen P-10R-F speakers)
PickupsEpiphone P90 single-coil pickups
Amp Settings
gain6.5
bass4.5
mid6
treble6
reverb2
presence5.5
Effects & Signal Chain
fuzzAnalog Man Analog Man Astro Tone Fuzz
overdriveAnalog Man Analog Man King of Tone Overdrive
Notes
Studio recording for 'Come Together' (2017, Justice League soundtrack). Gear confirmed for Clark's studio work in this era; no evidence of live rig or alternate guitars/amps for this specific track.
Tone Character(10)
heavy, saturated fuzzrich midrangesmooth trebletight, focused low endaggressive attackcrackling, overdriven amp characterindustrial, raw edgethick, sustaining power chordstouch-sensitive dynamicsslightly compressed, punchy
Difficulty
The riff requires tight rhythmic accuracy and control over a saturated, noisy fuzz/overdrive tone, but does not involve advanced lead techniques or complex chord voicings.