Riff Tone
Comfort in Sound
Feeder
Guitarrock2000s
Original Gear
GuitarCustom 'Jazzbird' Guitar with Tom Holmes Humbuckers
AmpFender Hot Rod DeVille 212 & JMI (Vox-style) AC30 (studio blend, main rhythm)
PickupsTom Holmes Humbuckers
Amp Settings
gain6
bass6.5
mid7
treble6.5
reverb3
presence6
Effects & Signal Chain
fuzzColorsound Colorsound Sola Sound Supa Tone Bender
fuzzPete Cornish Pete Cornish Fuzz Box
overdriveIbanez Ibanez Turbo Tube Screamer
delayElectro-Harmonix Electro-Harmonix Memory Man Deluxe
Notes
Studio recording, 2002. Main rhythm/riff tracked with blend of Fender DeVille 212 and JMI AC30, as per Grant Nicholas' studio and live rig for 'Comfort in Sound' era. Marshall JMP used for some overdubs but primary riff sound is DeVille + JMI AC30. Pedal fuzz/distortion is key to the riff tone.
Tone Character(10)
full and fatcrunchy but not harshorganic analogue fuzzmidrange-forwardsparkling top endtight low endmelodic clarityclassic British combo characterslightly compressednot overly aggressive
Difficulty
The riff is rhythmically tight and requires good control of dynamics and palm muting, but does not involve advanced techniques or fast lead playing.
Sources
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Original Gear
GuitarCustom 'Jazzbird' Guitar with Tom Holmes Humbuckers
AmpFender Hot Rod DeVille 212 & JMI (Vox-style) AC30 (studio blend, main rhythm)
PickupsTom Holmes Humbuckers
Amp Settings
gain6
bass6.5
mid7
treble6.5
reverb3
presence6
Effects & Signal Chain
fuzzColorsound Colorsound Sola Sound Supa Tone Bender
fuzzPete Cornish Pete Cornish Fuzz Box
overdriveIbanez Ibanez Turbo Tube Screamer
delayElectro-Harmonix Electro-Harmonix Memory Man Deluxe
Sources
Notes
Studio recording, 2002. Main rhythm/riff tracked with blend of Fender DeVille 212 and JMI AC30, as per Grant Nicholas' studio and live rig for 'Comfort in Sound' era. Marshall JMP used for some overdubs but primary riff sound is DeVille + JMI AC30. Pedal fuzz/distortion is key to the riff tone.
Tone Character(10)
full and fatcrunchy but not harshorganic analogue fuzzmidrange-forwardsparkling top endtight low endmelodic clarityclassic British combo characterslightly compressednot overly aggressive
Difficulty
The riff is rhythmically tight and requires good control of dynamics and palm muting, but does not involve advanced techniques or fast lead playing.
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