Solo Tone
Con Clavi Con Dio
Ghost
Guitarmetal2010s+
Original Gear
GuitarGibson SG Standard (likely 2000s reissue, as used by Ghost during Opus Eponymous era)
AmpOrange Rockerverb 100 MKI (studio recording, 2010)
PickupsGibson humbuckers (stock, Alnico V, passive)
Amp Settings
gain7.5
bass5.5
mid6
treble7
reverb2
presence6.5
Effects & Signal Chain
delayUnknown Delay pedal (model unknown)
Notes
Studio recording for 'Con Clavi Con Dio' solo, Opus Eponymous (2010). Guitarist 'A Nameless Ghoul' used a Gibson SG with stock humbuckers into an Orange Rockerverb 100 MKI. No explicit pedalboard or effect details for this solo found in sources; settings and effects inferred from era, genre, and audible characteristics.
Tone Character(10)
saturated and singing leadtight and percussivearticulate note separationslight midrange emphasismodern high-gain clarityharmonic overtonessmooth sustaincrisp pick attackcontrolled feedbackslightly compressed
Difficulty
The solo requires intermediate to advanced technique due to its fast runs, precise bends, and smooth legato passages, but does not reach extreme technicality.
Sources
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Create Free AccountGuitarmetal2010s+
Original Gear
GuitarGibson SG Standard (likely 2000s reissue, as used by Ghost during Opus Eponymous era)
AmpOrange Rockerverb 100 MKI (studio recording, 2010)
PickupsGibson humbuckers (stock, Alnico V, passive)
Amp Settings
gain7.5
bass5.5
mid6
treble7
reverb2
presence6.5
Effects & Signal Chain
delayUnknown Delay pedal (model unknown)
Notes
Studio recording for 'Con Clavi Con Dio' solo, Opus Eponymous (2010). Guitarist 'A Nameless Ghoul' used a Gibson SG with stock humbuckers into an Orange Rockerverb 100 MKI. No explicit pedalboard or effect details for this solo found in sources; settings and effects inferred from era, genre, and audible characteristics.
Tone Character(10)
saturated and singing leadtight and percussivearticulate note separationslight midrange emphasismodern high-gain clarityharmonic overtonessmooth sustaincrisp pick attackcontrolled feedbackslightly compressed
Difficulty
The solo requires intermediate to advanced technique due to its fast runs, precise bends, and smooth legato passages, but does not reach extreme technicality.
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