Solo Tone
CORALINE
Måneskin
Guitarrock2010s+
Original Gear
GuitarEstimated: Gibson Les Paul Standard (likely 2010s model, based on Måneskin's guitarist Thomas Raggi's typical studio use in this era)
AmpEstimated: Marshall DSL100H (based on genre, era, and typical studio rigs for Måneskin, but NOT confirmed for this specific recording)
PickupsEstimated: Gibson Burstbucker humbuckers
Amp Settings
gain6.5
bass6
mid7
treble6.5
reverb3.5
presence6
Effects & Signal Chain
delayUnknown Delay pedal (model unknown)
Notes
Studio recording, 2021 (from the album 'Teatro d'ira: Vol. I'). No direct evidence for exact gear on 'Coraline' solo; estimates based on band/era/genre. No evidence of live-specific gear for the studio version.
Tone Character(10)
singing sustainsmooth and melodicslightly overdrivenwarm midrangeclear note articulationexpressive vibratotouch-sensitivevocal-like phrasingnot overly compressedsubtle ambience
Difficulty
The solo requires intermediate technique, with a focus on expressive bends, vibrato, and melodic phrasing rather than speed or complex runs.
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Original Gear
GuitarEstimated: Gibson Les Paul Standard (likely 2010s model, based on Måneskin's guitarist Thomas Raggi's typical studio use in this era)
AmpEstimated: Marshall DSL100H (based on genre, era, and typical studio rigs for Måneskin, but NOT confirmed for this specific recording)
PickupsEstimated: Gibson Burstbucker humbuckers
Amp Settings
gain6.5
bass6
mid7
treble6.5
reverb3.5
presence6
Effects & Signal Chain
delayUnknown Delay pedal (model unknown)
Notes
Studio recording, 2021 (from the album 'Teatro d'ira: Vol. I'). No direct evidence for exact gear on 'Coraline' solo; estimates based on band/era/genre. No evidence of live-specific gear for the studio version.
Tone Character(10)
singing sustainsmooth and melodicslightly overdrivenwarm midrangeclear note articulationexpressive vibratotouch-sensitivevocal-like phrasingnot overly compressedsubtle ambience
Difficulty
The solo requires intermediate technique, with a focus on expressive bends, vibrato, and melodic phrasing rather than speed or complex runs.
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