Solo Tone
Covered In Rain (Live In Birmingham)
John Mayer
Guitarblues2000s
Original Gear
GuitarFender Stratocaster (likely John Mayer Signature or Custom Shop, 2000s spec)
AmpTwo-Rock Custom Reverb Signature (early 2000s, likely v1 or v2)
PickupsFender Custom Shop 'Big Dipper' single coils
Amp Settings
gain5
bass7
mid7
treble6
reverb3.5
presence5.5
Effects & Signal Chain
overdriveIbanez Ibanez TS10 Tube Screamer
delayUnknown Delay pedal (model unknown, likely Analogman ARDX20 or Boss DD-3)
Notes
Live performance, Birmingham, 2000s era. Gear inferred from Mayer's documented live rig for this tour and era; no direct source for this specific show, but consistent with all available evidence for 'Covered In Rain' live solos.
Tone Character(10)
singing sustaintouch-sensitive and dynamicsmooth overdrive with clarityrich midrange presenceslightly compressed but openclear note separationvocal-like phrasingmildly saturated blues-rock leaddelicate delay repeats in solowarm, rounded highs
Difficulty
This solo is challenging due to its combination of technical speed, expressive phrasing, and the need for dynamic control and articulation, requiring advanced blues-rock lead technique.
Sources
This tone has been researched 3 times by the community
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Original Gear
GuitarFender Stratocaster (likely John Mayer Signature or Custom Shop, 2000s spec)
AmpTwo-Rock Custom Reverb Signature (early 2000s, likely v1 or v2)
PickupsFender Custom Shop 'Big Dipper' single coils
Amp Settings
gain5
bass7
mid7
treble6
reverb3.5
presence5.5
Effects & Signal Chain
overdriveIbanez Ibanez TS10 Tube Screamer
delayUnknown Delay pedal (model unknown, likely Analogman ARDX20 or Boss DD-3)
This tone has been researched 3 times by the community
Notes
Live performance, Birmingham, 2000s era. Gear inferred from Mayer's documented live rig for this tour and era; no direct source for this specific show, but consistent with all available evidence for 'Covered In Rain' live solos.
Tone Character(10)
singing sustaintouch-sensitive and dynamicsmooth overdrive with clarityrich midrange presenceslightly compressed but openclear note separationvocal-like phrasingmildly saturated blues-rock leaddelicate delay repeats in solowarm, rounded highs
Difficulty
This solo is challenging due to its combination of technical speed, expressive phrasing, and the need for dynamic control and articulation, requiring advanced blues-rock lead technique.
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