Solo Tone
Crazy B*tch (Amended Version)
Buckcherry
Guitarrock2000s
Original Gear
Guitar1979 Gibson Les Paul Custom
AmpMarshall-style amp (likely Friedman Dirty Shirley 45 or JCM800 circuit, possibly Orange Rockerverb 100 MKIII in parallel)
PickupsGibson humbuckers (likely T-Top or Tim Shaw era, stock for late 70s Les Paul Custom)
Amp Settings
gain7.5
bass6
mid6.5
treble7
reverb2
presence6.5
Effects & Signal Chain
wahDunlop Dunlop Cry Baby Wah
boostMXR MXR CAE Boost
delayUnknown Delay pedal (model unknown, likely Dunlop Echoplex Delay or Strymon Dig/Timeline)
Notes
Gear based on studio/live rig rundowns from band members; no explicit confirmation for the exact amp on the original studio recording, but Friedman Dirty Shirley 45 (JCM800 circuit) and Orange Rockerverb 100 MKIII are cited as core amps. Studio recording, 2005-2006 era.
Tone Character(10)
singing sustainaggressive and punchytight, focused midrangeharmonic-rich leadcutting upper midsmodern hard rock edgeslightly compressedclear note separationarticulate bendscrisp attack
Difficulty
The solo requires intermediate lead technique, including expressive wah use, fast pentatonic licks, and accurate bends/vibrato. Not overly technical, but demands control and timing.
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Original Gear
Guitar1979 Gibson Les Paul Custom
AmpMarshall-style amp (likely Friedman Dirty Shirley 45 or JCM800 circuit, possibly Orange Rockerverb 100 MKIII in parallel)
PickupsGibson humbuckers (likely T-Top or Tim Shaw era, stock for late 70s Les Paul Custom)
Amp Settings
gain7.5
bass6
mid6.5
treble7
reverb2
presence6.5
Effects & Signal Chain
wahDunlop Dunlop Cry Baby Wah
boostMXR MXR CAE Boost
delayUnknown Delay pedal (model unknown, likely Dunlop Echoplex Delay or Strymon Dig/Timeline)
Notes
Gear based on studio/live rig rundowns from band members; no explicit confirmation for the exact amp on the original studio recording, but Friedman Dirty Shirley 45 (JCM800 circuit) and Orange Rockerverb 100 MKIII are cited as core amps. Studio recording, 2005-2006 era.
Tone Character(10)
singing sustainaggressive and punchytight, focused midrangeharmonic-rich leadcutting upper midsmodern hard rock edgeslightly compressedclear note separationarticulate bendscrisp attack
Difficulty
The solo requires intermediate lead technique, including expressive wah use, fast pentatonic licks, and accurate bends/vibrato. Not overly technical, but demands control and timing.