Solo Tone
Crazy Train (Live)
Ozzy Osbourne
Guitarmetal1980s
Original Gear
Guitar1974 Gibson Les Paul Custom
Amp1975-76 Marshall JMP 1959 Super Lead MKII 100-watt head into Marshall 1960A/B 4x12 cabs with Altec 417-8H speakers
PickupsStock Gibson humbuckers (likely T-Top), bridge pickup
Amp Settings
gain6.5
bass3.5
mid6
treble7
reverb0.5
presence5.5
Effects & Signal Chain
distortionMXR MXR Distortion +
eqMXR MXR Ten Band Graphic EQ
Notes
Live performance, early 1980s (1981), as used by Randy Rhoads on Ozzy Osbourne's 'Crazy Train' solo section. Effects and EQ primarily from pedalboard, not amp. Pedalboard built by Pete Holmes.
Tone Character(10)
singing sustaintight and articulatemidrange-forwardbright and cuttingharmonic-richfast attackcompressed and focusedclear note separationaggressive pick attackslight amp overdrive with most distortion from pedal
Difficulty
The solo requires advanced speed, accuracy, and phrasing, with demanding picking and legato technique, making it challenging for most players.
Sources
This tone has been researched 2 times by the community
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Create Free AccountGuitarmetal1980s
Original Gear
Guitar1974 Gibson Les Paul Custom
Amp1975-76 Marshall JMP 1959 Super Lead MKII 100-watt head into Marshall 1960A/B 4x12 cabs with Altec 417-8H speakers
PickupsStock Gibson humbuckers (likely T-Top), bridge pickup
Amp Settings
gain6.5
bass3.5
mid6
treble7
reverb0.5
presence5.5
Effects & Signal Chain
distortionMXR MXR Distortion +
eqMXR MXR Ten Band Graphic EQ
This tone has been researched 2 times by the community
Notes
Live performance, early 1980s (1981), as used by Randy Rhoads on Ozzy Osbourne's 'Crazy Train' solo section. Effects and EQ primarily from pedalboard, not amp. Pedalboard built by Pete Holmes.
Tone Character(10)
singing sustaintight and articulatemidrange-forwardbright and cuttingharmonic-richfast attackcompressed and focusedclear note separationaggressive pick attackslight amp overdrive with most distortion from pedal
Difficulty
The solo requires advanced speed, accuracy, and phrasing, with demanding picking and legato technique, making it challenging for most players.
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