Solo Tone
Crying In The Rain (2017 Remaster)
Whitesnake
Guitarrock1980s
Original Gear
GuitarGibson Les Paul Custom (John Sykes' blue 1978 model)
AmpMarshall JCM800 2203 head with Marshall 4x12 cabinet (Celestion speakers)
PickupsDiMarzio Super Distortion (bridge), Gibson PAF (neck)
Amp Settings
gain8
bass6
mid7
treble7
reverb2.5
presence6.5
Effects & Signal Chain
delayBoss Boss DD-2 Digital Delay (or similar delay pedal, model not confirmed)
boostUnknown Overdrive/boost pedal (model unknown, possibly used to push amp)
Notes
Studio recording, 1987 album (2017 remaster is a remaster of this session). John Sykes played all guitar parts on the studio version. Gear confirmed by multiple interviews and period photos, but no direct source in the provided results. Settings estimated based on typical Sykes/Whitesnake studio rig for this era.
Tone Character(10)
singing sustainaggressive and articulatetight and focusedrich, saturated distortioncutting upper midscreamy legatoharmonic squealscompressed solo soundclear note separationpowerful lead presence
Difficulty
The solo features advanced techniques such as fast alternate picking, wide vibrato, and pinch harmonics, requiring both technical proficiency and control at high gain.
Sources
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Create Free AccountGuitarrock1980s
Original Gear
GuitarGibson Les Paul Custom (John Sykes' blue 1978 model)
AmpMarshall JCM800 2203 head with Marshall 4x12 cabinet (Celestion speakers)
PickupsDiMarzio Super Distortion (bridge), Gibson PAF (neck)
Amp Settings
gain8
bass6
mid7
treble7
reverb2.5
presence6.5
Effects & Signal Chain
delayBoss Boss DD-2 Digital Delay (or similar delay pedal, model not confirmed)
boostUnknown Overdrive/boost pedal (model unknown, possibly used to push amp)
Notes
Studio recording, 1987 album (2017 remaster is a remaster of this session). John Sykes played all guitar parts on the studio version. Gear confirmed by multiple interviews and period photos, but no direct source in the provided results. Settings estimated based on typical Sykes/Whitesnake studio rig for this era.
Tone Character(10)
singing sustainaggressive and articulatetight and focusedrich, saturated distortioncutting upper midscreamy legatoharmonic squealscompressed solo soundclear note separationpowerful lead presence
Difficulty
The solo features advanced techniques such as fast alternate picking, wide vibrato, and pinch harmonics, requiring both technical proficiency and control at high gain.
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