Solo Tone
Culling Line
All Them Witches
Guitarrock2010s+
Original Gear
GuitarGibson Les Paul Standard
AmpMarshall JMP 50-watt head (EL34 tubes) into Marshall 1960BX 4x12 cabinet with Celestion Greenback speakers
PickupsHumbuckers (likely Burstbucker or 490R/498T, stock Les Paul Standard pickups for this era)
Amp Settings
gain7
bass7.5
mid7
treble6.5
reverb2.5
presence6.5
Effects & Signal Chain
overdriveBoss Boss BD-2 Blues Driver
delayBoss Boss DM-2W Waza Craft Delay
delayStrymon Strymon Timeline
Notes
Studio recording, 2021 era. Ben McLeod is known to use a Les Paul Standard into a Marshall JMP head with Celestion Greenbacks for All Them Witches' heavy tones. Pedalboard photos and rig rundowns from this era confirm this setup for studio work. No evidence of alternate guitars or amps for this solo section.
Tone Character(10)
thick and harmonically richopen and dynamicmidrange-forwardsustaining lead toneresponsive to pickingclear note separationBritish-voiced crunchtouch-sensitive gainslight analog delay ambiencenot overly compressed
Difficulty
The solo requires intermediate technique, including expressive bends, dynamic picking, and control of sustained notes with delay. The phrasing is melodic but demands attention to touch and timing to maintain clarity through the overdriven tone.
Sources
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Create Free AccountGuitarrock2010s+
Original Gear
GuitarGibson Les Paul Standard
AmpMarshall JMP 50-watt head (EL34 tubes) into Marshall 1960BX 4x12 cabinet with Celestion Greenback speakers
PickupsHumbuckers (likely Burstbucker or 490R/498T, stock Les Paul Standard pickups for this era)
Amp Settings
gain7
bass7.5
mid7
treble6.5
reverb2.5
presence6.5
Effects & Signal Chain
overdriveBoss Boss BD-2 Blues Driver
delayBoss Boss DM-2W Waza Craft Delay
delayStrymon Strymon Timeline
Notes
Studio recording, 2021 era. Ben McLeod is known to use a Les Paul Standard into a Marshall JMP head with Celestion Greenbacks for All Them Witches' heavy tones. Pedalboard photos and rig rundowns from this era confirm this setup for studio work. No evidence of alternate guitars or amps for this solo section.
Tone Character(10)
thick and harmonically richopen and dynamicmidrange-forwardsustaining lead toneresponsive to pickingclear note separationBritish-voiced crunchtouch-sensitive gainslight analog delay ambiencenot overly compressed
Difficulty
The solo requires intermediate technique, including expressive bends, dynamic picking, and control of sustained notes with delay. The phrasing is melodic but demands attention to touch and timing to maintain clarity through the overdriven tone.
More All Them Witches tones
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- Red Rocking Chair · solo
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- Romany Dagger (Remended) · riff
- See You Next Fall · riff
- Turn On The Light · riff
- Turn On The Light · solo
- When God Comes Back · riff
- When God Comes Back · solo